Next book

SHAKESPEARE'S LANGUAGE

An excellent survey of Shakespeare's language and its development, handicapped by its shortness, enhanced by its precision.

Renowned scholar Kermode (Not Entitled, 1995) explores the evolution of Shakespeare's language in a friendly, accessible, and choppy romp through the Bard's oeuvre.

From Hamlet to A Winter's Tale, from Julius Caesar to The Tempest, Kermode traces the development of Shakespeare's language from a simple expressiveness to an ornate complexity; in sum, he argues that Shakespeare grew increasingly fascinated by the force of words and his artistic power over them. Kermode begins with a comparison between the verbosity of Titus Andronicus and the taciturnity of Coriolanus; from this vantage point, he discerns Shakespeare's increasing disinterest in rhetorical explicitness and his move to a more reticent display of language. The resulting silences create challenging obscurities and interpretative conundrums that have long bedeviled both audiences and critics; as Kermode writes, `Increasing complexity in the verse of the plays matches increasing subtlety in their construction.` Shakespeare thus appears to be an author as challenging to his contemporaneous Elizabethan audience as to much of his audience today. Although primarily interested in Shakespeare's verse, Kermode also considers the question of the playwright's prose and the ways in which the two forms are mutually implicated; Shakespeare's narrative poems also receive due attention for the ways in which they contribute to his dramatic voice. This book directs its argument to the intelligent lay reader, not the Shakespearean scholar, but the attention to detail in Kermode's reading of Shakespeare's verse should be extended to a scholarly audience as well. Unfortunately, the brevity of his chapters (30 pages for Hamlet, but only 8 for Cymbeline) forecloses the development of his observations into a truly unified whole. We receive insights from a great Shakespearean reader and teacher, but in this case, the reader would be well served with more rather than less.

An excellent survey of Shakespeare's language and its development, handicapped by its shortness, enhanced by its precision.

Pub Date: June 1, 2000

ISBN: 0-374-22636-9

Page Count: 231

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview