Not flawless, but certainly heartfelt, and searing in its condemnation. On his last page, Nappi quotes Christopher Marlowe:...
A moving first novel about a courageous soldier who fought in WWII and grew to hate it.
Twentysomething James McCleary, foot soldier in the 95th Infantry Division, was “a typical dogface,” as his best friend puts it. Having fought through most of the war, including the horrific Battle of the Bulge, he finishes in the hands of the enemy, a POW. The war over, he returns to Far Rockaway, N.Y., and to his sweetheart, Maddie Brandt. He marries Maddie and fathers three sons, to whom he remains an enigma all his life. It was the war—physically intact, he’s a casualty nonetheless. What he saw and what he did never leaves him, making it impossible to perform the roles society has assigned him. “I don’t think I can remember one time when I saw him laugh,” one of the boys says to Maddie, a complaint shared by all three siblings. But it’s John, the oldest and most sensitive, who suffers most from a father missing in action. And it’s John who, at last, gains an insight into the nature and extent of the war wounds. After Maddie’s death, the McClearys put the house up for sale. Emptying the attic, John finds a packet of letters from James, a young soldier, to Maddie, the girl he loves and left behind. In alternating scenes, The author shows James’s view of the war and John’s reaction to it. The son gets to see his father in a light that astonishes him—not the shadowy, withdrawn figure that embittered his growing up, but someone vividly alive, someone as afraid as he was brave, someone remarkable.
Not flawless, but certainly heartfelt, and searing in its condemnation. On his last page, Nappi quotes Christopher Marlowe: “Accurst be he who first invented war.”Pub Date: Nov. 1, 2005
ISBN: 0-312-33272-6
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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