Not flawless, but certainly heartfelt, and searing in its condemnation. On his last page, Nappi quotes Christopher Marlowe:...

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ECHOES FROM THE INFANTRY

A moving first novel about a courageous soldier who fought in WWII and grew to hate it.

Twentysomething James McCleary, foot soldier in the 95th Infantry Division, was “a typical dogface,” as his best friend puts it. Having fought through most of the war, including the horrific Battle of the Bulge, he finishes in the hands of the enemy, a POW. The war over, he returns to Far Rockaway, N.Y., and to his sweetheart, Maddie Brandt. He marries Maddie and fathers three sons, to whom he remains an enigma all his life. It was the war—physically intact, he’s a casualty nonetheless. What he saw and what he did never leaves him, making it impossible to perform the roles society has assigned him. “I don’t think I can remember one time when I saw him laugh,” one of the boys says to Maddie, a complaint shared by all three siblings. But it’s John, the oldest and most sensitive, who suffers most from a father missing in action. And it’s John who, at last, gains an insight into the nature and extent of the war wounds. After Maddie’s death, the McClearys put the house up for sale. Emptying the attic, John finds a packet of letters from James, a young soldier, to Maddie, the girl he loves and left behind. In alternating scenes, The author shows James’s view of the war and John’s reaction to it. The son gets to see his father in a light that astonishes him—not the shadowy, withdrawn figure that embittered his growing up, but someone vividly alive, someone as afraid as he was brave, someone remarkable.

Not flawless, but certainly heartfelt, and searing in its condemnation. On his last page, Nappi quotes Christopher Marlowe: “Accurst be he who first invented war.”

Pub Date: Nov. 1, 2005

ISBN: 0-312-33272-6

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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A daring concept not so daringly developed.

THE BOOK OF LONGINGS

In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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