by Frank Schaeffer ‧ RELEASE DATE: June 1, 2011
In the third installment of the “God Trilogy,” prolific novelist and nonfiction author Schaeffer (Patience with God: Faith for People Who Don't Like Religion (or Atheism), 2009, etc.) tells “the truth” about his mother’s curious impartation of religion and sex.
The author’s mother Edith played as much a spiritual role as his father, the late Evangelist Francis Schaeffer, and continues to do so at 96, though her memory loss and sight deterioration defy them both. The book shines in sections centered on Edith, a “life-embracing free spirit” whose sexual education of her son began with a show-and-tell of her diaphragm to him at age eight while on a family vacation. This candid abandon extended to matters outside of sexuality as well. The author distinctly remembers Edith praising a God that foreknew and condoned the miscarriage of her first male child in favor of subsequently giving birth to Schaeffer. He attributes life growing up with three sisters as vital to his affinity for women in later years, though they usurped too much of his parents’ time and attention back then. As a woman who’d sacrificed a dancing career to become a religious juggernaut, Edith’s fiery personality and sexual extroversion were contradictory to the piousness that defined her, yet she managed to formulate extraordinary interpretations. From advising women to wear sheer, black lingerie to keep their husbands’ interest to confessing Francis’ sexual demands on her—all were justified with biblical significance. A consummate memoirist, Schaeffer fills the narrative with interesting anecdotes about his sex life, like a nervous first-time encounter with a French woman and the ice-girl he fashioned (and attempted to mate with) while growing up in the Swiss mission his parents founded. The author’s heated rejection of modern Evangelicalism and discussions of abortion, Reconstructionist movements and even Sarah Palin rob the memoir of the loving glow cast by Edith’s legacy, but the sage conversation on a New York–bound bus with a distraught Asian girl is warmly resonant and a befitting conclusion to an occasionally disjointed book of ruminations, memories and frustrated opinion. Sweet and savory familial adoration.
Pub Date: June 1, 2011
ISBN: 978-0-306-81928-5
Page Count: 320
Publisher: Da Capo
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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