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MANHATTAN'S BABE

The author is very much in the picture in this ambitious, self- and style-conscious portrait of 20th-century celebrities.

Part romance, part literary biography, part soapbox, this self-described “faction” depicts the “son of a Jewish cheese importer, besotted with the daughter of one of his country’s most famous writers”—in other words the youthful love affair between J.D. Salinger and Oona O’Neill.

“Maybe one day, someone will write a sentimental book about us!” writes Oona to Jerry in this metafiction from French writer Beigbeder (Windows on the World, 2005, etc.). And here it is, presented in modernist form complete with watercolor illustrations, appearances by the author, and claims to have invented the first YouTube novel (readers are urged to check out 17-year-old O’Neill’s 1942 screen test on that site). Opening with the assertion that the characters, places, events, and dates are all real, the book proceeds to embroider them with invented dialogue and correspondence, psychological, social, and literary speculation, and much more concerning the couple and their milieu. Their involvement begins in 1940 at the Stork Club, where shy embryonic writer Salinger sees Oona, a 15-year-old it girl hanging out with Gloria Vanderbilt. The sentimental centerpiece of their relationship is a rhapsodic summer night spent together on the Jersey shore: “They kissed, she floated, and he carried her.” But the mutuality fades. He loves her more; she is burdened by family issues and is also too young to have sex or marry. After Pearl Harbor, Salinger joins up, and O’Neill moves to California, where she will meet and marry Charlie Chaplin, age 54. Beigbeder’s romantic, analytical, sometimes excessively cute narration of events is mixed with walk-on roles for other famous figures—Capote, Hemingway, Orson Welles. The writing is cinematic and consumable but achieves power during descriptions of Salinger’s harrowing, life-changing World War II experiences.

The author is very much in the picture in this ambitious, self- and style-conscious portrait of 20th-century celebrities.

Pub Date: Dec. 27, 2016

ISBN: 978-1-61428-554-0

Page Count: 352

Publisher: Assouline

Review Posted Online: Feb. 8, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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