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THE UTTERMOST PARTS OF THE EARTH

Hunter invokes Joseph Conrad toward the start of this book, underscoring how much this region near the equator has changed...

Matters of the heart overpower a missing person case in a Central African village.

As has been true of generations of African-Americans stung by white racism, Kwame Johnson, a New England–bred black professor of African literature, is both romantic and inquisitive about life in his ancestral homeland. He is given a chance to satisfy his curiosity by taking a post as a cultural officer with the United States Information Service in Kinshasa. The time is the late 1990s, when the Congo was still known as Zaire, in the waning days of Mombuto Sese Seko’s brutal dictatorship. From the moment Kwame arrives in the country, he has the sense, familiar to generations of African-American visitors, of being quite foreign to Africans despite his skin color. (“I am here, he thought, but I am still out of place.”) Just after he arrives, he's sent on a visit to Mbandaka, a remote village where he's supposed to learn the ropes while working with a white USIS officer named Kent Mason—but Mason doesn't show up to meet him at the plane, and no one knows where he's gone. Kwame combs through everything the man left behind; papers, books, letters, photos, even clothing. But he's distracted from whatever implications or intrigue surround Mason’s unexplained absence by the people he meets in Mbandaka: a few white Belgians, including an embittered landowner and his libidinous wife, and, more notably, a Nigerian doctor named Olatubusun Odejimi, who introduces him to the arcane pleasures of hemp and breakfast whiskey—and has many lovers among the locals, including the landowner’s wife. Another of Odejimi’s lady friends is Madame Vandenbroucke, a sultry, enigmatic Congolese once married to and then abandoned by a white European. Kwame finds himself falling in love with Madame Van, to the point of wanting to marry her, despite his being engaged to a wealthy WASP woman back in the U.S. Hunter, who's white, was once a USIS officer assigned to the Congo and an Africa correspondent for the Christian Science Monitor; he's mixed romance and intrigue before in Love in the Time of Apartheid (2016). His dry, straightforward tone doesn’t always serve him well in characterization or in the more erotic interludes. But his book is most rewarding in its shrewd assessments of cross-cultural mores and manners.

Hunter invokes Joseph Conrad toward the start of this book, underscoring how much this region near the equator has changed while still retaining its mystery to outsiders, no matter what color their skins.

Pub Date: Feb. 28, 2018

ISBN: 978-1-57962-516-0

Page Count: 344

Publisher: Permanent Press

Review Posted Online: Dec. 11, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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