An author and illustrator meditates on the need to remember the past in order to understand the present.
As a 10-year-old growing up on the banks of the Seine in the 1960s, Pajak “dreamt of a book mixing words and pictures: snippets of adventure, random memories, maxims, ghosts, forgotten heroes, trees, the raging sea.” But, as he puts it, “my book died every day.” Years later, he found his theme: “The evocation of erased History and of the war of time,” by which he means “the war waged by a present stripped of its past, crumbled into an improbable future, be it radiant or disenchanted.” Most pages display Pajak’s black-and-white drawings followed by short paragraphs. The author writes of the many artists and writers who grappled with the 20th century’s most significant questions, most notably the fascism and anti-Semitism embodied not only in figures like Hitler and Mussolini, but also in a pair of Pajak’s boarding school classmates, one of whom performed the Nazi salute when teachers left the room and “was always fulminating against the Jews.” Among the figures Pajak cites are Samuel Beckett, artist Bram van Velde, and Walter Benjamin, especially Benjamin’s time in Spain before the Spanish Civil War and his belief that “the supposed universality of History lacked the mute voice of the oppressed.” If some drawing-prose combinations are too on-the-nose—a picture of a fort as the author notes that Benjamin likened Andre Gidé’s thoughts to a fort—others offer witty contrasts, as when he pairs childhood memories of the smell of his grandmother’s flat with a drawing of himself smoking as a young boy. Some of the combinations are chilling: A drawing of an emaciated man in a concentration camp appears on the same page on which Pajak cites Benjamin’s awareness of the rise of anti-Semitism among French intellectuals.
A complex portrait of the nature and power of narrative.Pub Date: Jan. 22, 2019
ISBN: 978-1-68137-286-0
Page Count: 192
Publisher: New York Review Books
Review Posted Online: Oct. 23, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION
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The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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