One might in fact say that Gardener to the King is the novel Jerzy Kosinski tried—and failed—to write in his leaden Being...

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GARDENER TO THE KING

The “greening,” one might say, of its stoical (eponymous) protagonist is the gradually flowering theme of this eloquent récit by a young French writer.

The time is the 1670s, the place primarily Louis XIV’s pleasure palace of Versailles—to which the vainglorious monarch repairs frequently to escape from the boredom of ruling and the pressures of successful military campaigns against Holland and Germany. Richaud’s focal character, however, is Jean-Baptiste de La Quintinie, Steward of the Orchards and Kitchen Gardens: a recluse who seems to have no past, and no present relationships or interests away from his duties, and who is much admired by the grateful king and his retainers for the bountiful products of his horticultural skills. Richaud patiently depicts the gardener’s gradual awakening to his master’s arrogance and self-indulgence, as he forms friendships with long-suffering neighboring peasants, and corresponds with casual acquaintance Philippe de Neuville, a radical critic of the regime’s “spiritual tyranny” and disregard for social equality. La Quintinie’s own radicalization crystallizes at a lavish banquet at Versailles, during which he ruefully observes Louis’s frivolous guests “devouring in minutes what had cost him a lifetime to produce.” The gardener, forced to conclude that his dream of an “enclosed world, yet one without boundaries” will never be realized, undertakes a withdrawal from the unreal world of the court, which assumes richly suggestive symbolic form in the poignant closing pages. Neither the novel’s movement toward stasis nor Richaud’s unfortunate decision to overexplain its meanings detracts significantly from the force of this delicately crafted little allegory: it evokes memories of both Voltaire’s Candide and José Saramago’s teasing parabolic fiction.

One might in fact say that Gardener to the King is the novel Jerzy Kosinski tried—and failed—to write in his leaden Being There. It’s a beautiful piece of work.

Pub Date: April 1, 2001

ISBN: 1-55970-583-3

Page Count: 128

Publisher: Arcade

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2001

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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