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GIRLS

A complex and disturbing vision of the world as a place filled with danger powers this fascinating novel, another blistering drama of family relations from one of our most productive and passionately serious writers. An expansion of one of Busch's finest stories (``Ralph the Duck''), this is a sorrowful examination of the experiences and innermost feelings of a bereaved father who seeks catharsis for his own loss in joining the hunt for a missing 14-year-old girl. He is Jack, a middle-aged security policeman and part-time student at an upstate New York college where his duties include rescuing stranded drivers, breaking up fights, and patrolling the campus for confused and disoriented kids who need his protection. Busch plots the novel deftly. A note found in library book may contain a threat on the life of a visiting Vice President. A series of encounters with an arrogant drug dealer leads to a savage, potentially fatal beating. Throughout, there pulses a continual hum of approaching danger, a sense that the surface of things barely conceals a roiling chaos (``You're a small person, a little girl person, and you go outside of your house but where it's supposed to be safe. . . . And people come and they hunt you''). Busch contrives several vivid and haunting confrontation scenes—between Jack and his wife Fanny, suffering together in a truce, which is all that's left to their marriage since the death of their infant daughter; Jack and Mrs. Tanner, the missing girl's stoical mother, herself soon to be another of this story's many victims; and Jack's climactic capture and interrogation of the girl's murderer. It all works superbly as a conventional thriller, though the story's most effective as a harrowing expression of the fragility of our defenses against loss and death, and a moving characterization of its memorable protagonist, a decent man who struggles against powerful odds to remain one. An impressive demonstration of Busch's continuing mastery of realistic narrative.

Pub Date: March 1, 1997

ISBN: 0-517-70455-2

Page Count: 288

Publisher: Harmony

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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