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GIRLS

A complex and disturbing vision of the world as a place filled with danger powers this fascinating novel, another blistering drama of family relations from one of our most productive and passionately serious writers. An expansion of one of Busch's finest stories (``Ralph the Duck''), this is a sorrowful examination of the experiences and innermost feelings of a bereaved father who seeks catharsis for his own loss in joining the hunt for a missing 14-year-old girl. He is Jack, a middle-aged security policeman and part-time student at an upstate New York college where his duties include rescuing stranded drivers, breaking up fights, and patrolling the campus for confused and disoriented kids who need his protection. Busch plots the novel deftly. A note found in library book may contain a threat on the life of a visiting Vice President. A series of encounters with an arrogant drug dealer leads to a savage, potentially fatal beating. Throughout, there pulses a continual hum of approaching danger, a sense that the surface of things barely conceals a roiling chaos (``You're a small person, a little girl person, and you go outside of your house but where it's supposed to be safe. . . . And people come and they hunt you''). Busch contrives several vivid and haunting confrontation scenes—between Jack and his wife Fanny, suffering together in a truce, which is all that's left to their marriage since the death of their infant daughter; Jack and Mrs. Tanner, the missing girl's stoical mother, herself soon to be another of this story's many victims; and Jack's climactic capture and interrogation of the girl's murderer. It all works superbly as a conventional thriller, though the story's most effective as a harrowing expression of the fragility of our defenses against loss and death, and a moving characterization of its memorable protagonist, a decent man who struggles against powerful odds to remain one. An impressive demonstration of Busch's continuing mastery of realistic narrative.

Pub Date: March 1, 1997

ISBN: 0-517-70455-2

Page Count: 288

Publisher: Harmony

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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