by Frederick Crews ‧ RELEASE DATE: Aug. 22, 2017
Impressively well-researched, powerfully written, and definitively damning.
A thorough debunking of the Freud legend by an accomplished author and academic.
In this elegant and relentless exposé, New York Review of Books contributor Crews (Emeritus, English/Univ. of California; Follies of the Wise: Dissenting Essays, 2006, etc.) wields his razor-sharp scalpel on Freud’s slavish followers, in particular, who did not want to see or who willfully redacted the sloppiness of Freud’s research methods in order to “idealize him.” The author sees a blackout of sorts by what he calls the Freudolatry, or the coterie of Freud apologists, from Anna Freud to many scholars down the line, who have limited access to his letters or correspondence between young Freud and his then-fiancee, Martha Bernays, between 1882 and 1886. This was the crucial period in the formation of his “seduction theory” and establishment as a specialist of nervous concerns among patients (largely well-off Jewish women) in Vienna. Having studied briefly with Jean-Martin Charcot of the Salpêtrière in Paris, Freud styled himself as an expert in hypnosis, Charcot’s specialty in the treatment of hysteria, a catchall term for women’s nervous disorders. In his Vienna practice, Freud’s advocacy of the use of cocaine and other drugs as a panacea would bring him notoriety and even disgrace—e.g., using cocaine to “cure” his friend Ernst Fleischl von Marxow of morphine addiction. Eventually, Freud became dependent on cocaine and self-administered it throughout these years of feverish writing and developing his early psychoanalytic theories. Crews carefully digs through Freud’s free-wheeling handling of facts, especially regarding the idea of “repressed memory of a sexual trauma”—e.g., the case of Bertha Pappenheim, aka Anna O. The author also reveals how many other theorists before Freud were exploring the role of the unconscious in psychoneuroses, which contradicts his self-depiction as a pioneer in the field, as well as how his editors tweaked the record. Crews comes to bury Freud, not to praise him, and he does so convincingly.
Impressively well-researched, powerfully written, and definitively damning.Pub Date: Aug. 22, 2017
ISBN: 978-1-62779-717-7
Page Count: 768
Publisher: Metropolitan/Henry Holt
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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