Forsyth still knows how to spring a surprise. Not his best work, but a taut, readable and swiftly moving tale well suited to...
The master of the political thriller strikes again.
Strike is a good operative word for the cops and crooks who populate the pages of Forsyth’s latest (The Afghan, 2006, etc.), none of whom is afraid to unleash the dogs of war and hurt a lot of people in the bargain. This time the setting is South America, where an impatient U.S. president has decided to heat things up after it becomes ever clearer that the war on drugs isn’t going so well for his team. Who’s he gonna call? The Cobra, naturally, a spook bad enough to put the fear into anyone who hears the sobriquet. Said Cobra, aka Paul Deveraux, is a tough dude, to be sure, so tough that, says one of the president’s aides, he was fired for being “too ruthless”—against the bad guys that is. Devereaux books on down to Colombia, where he’s got to go up against the baddest guy of all—“educated, courteous, mannerly, drawn from pure Spanish stock, scion of a long line of hidalgos” Don Diego Esteban. In between Cobra and Don stands a small army of lesser players, from a right-hand man who’s thorough but never timid to a Brazilian pilot bent on a kamikaze mission to miscellaneous cannon fodder on five continents. Forsyth’s tale drags a little, particularly compared to his first and as yet unbested masterpiece, The Day of the Jackal (1971), at least in part because he takes time out to explain, at some length, the economics and chemistry (horse tranquilizer, anyone?) of the cocaine trade. All those minor players have to have something to do. Yet in the end this is a battle between titans, and it’s fought to a bloody end amid heaps of bodies and at least a few unanticipated casualties, as far as the reader is concerned.
Forsyth still knows how to spring a surprise. Not his best work, but a taut, readable and swiftly moving tale well suited to the beach and airplane.Pub Date: Aug. 17, 2010
ISBN: 978-0-399-15680-9
Page Count: 384
Publisher: Putnam
Review Posted Online: June 15, 2010
Kirkus Reviews Issue: July 1, 2010
King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.
The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.
Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.
King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.Pub Date: Sept. 10, 2019
ISBN: 978-1-9821-1056-7
Page Count: 576
Publisher: Scribner
Review Posted Online: Aug. 3, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying...
King (Under the Dome, 2009, etc.) adds counterfactual historian to his list of occupations.
Well, not exactly: The author is really turning in a sturdy, customarily massive exercise in time travel that just happens to involve the possibility of altering history. Didn’t Star Trek tell us not to do that? Yes, but no matter: Up in his beloved Maine, which he celebrates eloquently here (“For the first time since I’d topped that rise on Route 7 and saw Dery hulking on the west bank of the Kenduskeag, I was happy”), King follows his own rules. In this romp, Jake Epping, a high-school English teacher (vintage King, that detail), slowly comes to see the opportunity to alter the fate of a friend who, in one reality, is hale and hearty but in another dying of cancer, no thanks to a lifetime of puffing unfiltered cigarettes. Epping discovers a time portal tucked away in a storeroom—don’t ask why there—and zips back to 1958, where not just his friend but practically everyone including the family pets smokes: “I unrolled my window to get away from the cigarette smog a little and watched a different world roll by.” A different world indeed: In this one, Jake, a sort of sad sack back in Reality 1, finds love and a new identity in Reality 2. Not just that, but he now sees an opportunity to unmake the past by inserting himself into some ugly business involving Lee Harvey Oswald, Jack Ruby, various representatives of the military-industrial-intelligence complex and JFK in Dallas in the fall of 1963. It would be spoiling things to reveal how things turn out; suffice it to say that any change in Reality 2 will produce a change in Reality 1, not to mention that Oswald may have been a patsy, just as he claimed—or maybe not. King’s vision of one outcome of the Kennedy assassination plot reminds us of what might have been—that is, almost certainly a better present than the one in which we’re all actually living. “If you want to know what political extremism can lead to,” warns King in an afterword, “look at the Zapruder film.”
Though his scenarios aren’t always plausible in strictest terms, King’s imagination, as always, yields a most satisfying yarn.Pub Date: Nov. 1, 2011
ISBN: 978-1-4516-2728-2
Page Count: 864
Publisher: Scribner
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 15, 2011
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