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MAISIE AT 8000 FEET

OR: THE PLACES WE LET GO

Reuss has given us a fascinating novel about interesting people who become fully formed in his writing, but the story never...

A middle-aged woman traces her father’s past on foot, by car, and from the sky as she uses her ability to fly.

Reuss begins his novel with a lovely bit of magic realism—an 8-year-old girl moving out of the flight path of a jetliner over New Jersey. The night landscape is below her, and “she could see herself in the distance, soaring, overtaking the woman she would become in the decades ahead.” That girl, now a divorced woman, Maisie, begins a journey through the pine barrens of her youth, reconnecting with the land and with her late father, Alden, and learning about the past from her father's cousin Sally—a wonderful character, quirky and comfortable. Sally remembers infinite details of people and places, time and space, but she has dementia and can't remember the previous day. Maisie is on a quest to discover her father, who was shunned by his in-laws after his wife’s death since he was a free-spirited artist certainly not able to raise their grandchild as only they could. His art is deeply connected to its place; he reworks the landscape in grand visions of ancient ruins and modern life. Maisie spent the summer she was 8 with him at Sally’s home in the woods, but her father disappears for good after losing his art in a fire. Forty-five years later, Maisie is contacted by Sally, who tells her that her father has died in Mexico, which initiates Maisie's search for his past in what's left of the forest. Reuss’ words are elegant, beautiful at times, creating a labyrinth of time, and his characterization is truly wonderful. But the book never comes together. Alden’s landscape art is an intellectual dead end for the reader, and the sense of family through place that Maisie longs for does not materialize, except from the air, real or not.

Reuss has given us a fascinating novel about interesting people who become fully formed in his writing, but the story never quite does.

Pub Date: April 12, 2016

ISBN: 978-1-60953-128-7

Page Count: 250

Publisher: Unbridled Books

Review Posted Online: March 15, 2016

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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