THE KINDER GARDEN

British novelist and translator Taylor (Walking Shadows, 1985) returns with an evocative tale set in the rubble of postwar Berlin, just as the Soviet blockade and the Allied airlift begin. Faintly echoing Oliver Twist, a band of thieving orphans in their nightmarish Kinder Garden is the main attraction, with Fagin transformed into Boss Kind, a young Jack the Ripper whose knife provides the corpses for the opening scene. James Blessed of the Special Investigation Branch tackles the case with his usual dogged determination, and as he moves obsessively into it, plagued by reminders of his own disastrous childhood, he isolates himself increasingly from both family and superiors, maintaining the grueling pace even as his wife leaves him. When daughter Daphne is abducted by the maniacal Boss Kind after an attempt on Blessed's life has gone awry, he's forced off the case. Continuing on his own initiative, he traps an informer and learns where Daphne is, leading to a showdown in the Russian sector in which the family secrets all come tumbling out. As much about family life broadly construed as about murder and drug-smuggling, the vivid portrayal of the Kinder Garden's society unto itself—where loyalty within the tribe is everything and adults are only ``Hats,'' never to be trusted—is profoundly moving. Next to this appalling reality of life in the ruins, the gentrified British scene seems lackluster and banal, so that the drama sinks into a maudlin mode whenever the Blessed family steps front and center. A fascinating, but flawed, thriller.

Pub Date: June 3, 1991

ISBN: 0-88184-697-X

Page Count: 432

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1991

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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