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TRAVELING COMPANIONS

Devastating grim-wit about Alexander Chubinets, whom Soviet humorist Felix Zabrodsky—himself made up by Soviet ÇmigrÇ Gorenstein—makes up to accompany him on an overnight trip on the mail train from Kiev to Zdolbunov. Chubinets, a crippled minor playwright in the manner of a true Dostoevskian/Tolstoyan storyteller, fixes Zabrodsky with a shadowy eye and keeps him up all night with his horrendous life story and its wasteland of tragedies. Chubinets is from the Ukrainian village of Chubintsy, where half the folk, even those without blood ties, are named Chubinets. Chubinets has had a childhood of relentless horror: ``Life is a doormat at the gate of heaven: before entering paradise, everyone has to wipe his feet on it, saints and sinners alike.'' He tells of the German occupation in the early 40's, the Germans at first being better rulers than the Soviets. But soon the Germans are burning huge heaps of people, tremendous hills that for months give off a stench of still-smoldering human flesh. ``The gigantic scale of bestiality in this century...is the work of ridiculous little mannequins who dreamed up their theories in bars and coffeehouses. As a result, the mediocrity of the executioners inadvertently detracts from the victims...[and] gives their fate a touch of indecency.'' Chubinets falls in with a theatrical troupe, writes a play about himself. At last the Soviets recover the town from the Germans, and Chubinets spends seven years in a labor camp near Siberia. All in Zabrodsky/Gorenstein's mind, of course. Details and moments throughout strike inventive lightning flashes of the highest order—but this is a novel, like salted fish, that not all will wish to chew on.

Pub Date: Oct. 1, 1991

ISBN: 0-15-191074-X

Page Count: 256

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1991

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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