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CHARLIE FINLEY

THE OUTRAGEOUS STORY OF BASEBALL’S SUPER SHOWMAN

Most readers will agree with the authors’ final assessment that Finley was an innovative, infuriating jackass whose braying...

Two aerospace researchers examine the labyrinthine life of one of baseball’s most notorious owners, displaying both revulsion and grudging respect for their subject.

NASA senior planner Green and Smithsonian Air and Space Museum senior curator Launius do a creditable job pinning down both the mundane and the extraterrestrial aspects of Charles Oscar Finley’s remarkable rise. From his humble roots in Gary, Ind., Finley ascended to become owner of the Oakland Athletics in the early ’70s, a team that won three consecutive World Series and featured Vida Blue, Reggie Jackson, Rollie Fingers, Catfish Hunter and other All-Stars and future Hall-of-Famers. Born in 1918, Finley moved to Chicago for college, then entered the insurance industry and ignited the boom-or-bust pattern that zigzagged across his entire career. After finding great financial success by insuring physicians, Finley sought to buy a baseball franchise and found a failing one in Kansas City, where all his vagaries, innovations, insecurities, weaknesses, strengths and irascibility exploded like post-game fireworks into the Kansas sky. He hired, harassed, fired and even traded managers with stunning suddenness, befriended then alienated players, fought with the press, experimented with myriad marketing promotions and began lobbying for changes in the sport, including the designated hitter, night World Series games and interleague play. Thinking Oakland would be a lucrative baseball market, he moved his team there in 1968. He was wrong. Even in their championship seasons, the A’s could not draw a million fans. Finley’s fall ensued, caused by a complicated and ruinous divorce, losing battles with emerging free agency, mutual animosity with commissioner Bowie Kuhn, mismanagement and a kind of regal recklessness.

Most readers will agree with the authors’ final assessment that Finley was an innovative, infuriating jackass whose braying was sometimes sensible, even wise.

Pub Date: July 6, 2010

ISBN: 978-0-8027-1745-0

Page Count: 368

Publisher: Walker

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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