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GOOD NIGHT, FIREFLY

Charming artwork and some funny moments, marred by disingenuousness.

Nina learns that a firefly is a great night light—initially.

The illustrations are top-notch, with the appearance of black-and-white scratchboard, sparsely highlighted with a red shirt here, a yellow glow there. The text is both matter-of-fact and descriptive: “Nina was scared of the dark, so it was good she had a night-light, which made things better. Then one night… / the electricity went out. Nina watched as scary shadows crept across her walls. Every noise sounded like the whispering of monsters.” An exciting illustration that looks more like a fireworks display than a normal firefly-spangled night prefaces Nina’s trip to trap a firefly in a jar. Unfortunately, observant, bug-savvy readers will notice the lack of holes in the jar’s lid. (Those conversant with fireflies' unique needs will also take alarm at the absence of a moist paper towel within.) This mars the humor of the following pages, in which Nina engages in many activities by the firefly’s light until the insect is almost dead. Nina tries showing the bug several things to “make his light stronger—a battery, a wind-up key, her favorite chocolate bar”—until she hits on the right solution and frees it. (Whew!) Children who regularly spend time with bugs may well be so distressed at the firefly’s peril that they will be unable to enjoy the story. The grand finale is lovely, but the story does a disservice by not acknowledging the firefly’s grave danger.

Charming artwork and some funny moments, marred by disingenuousness. (Picture book. 3-6)

Pub Date: June 2, 2015

ISBN: 978-1-62779-222-6

Page Count: 32

Publisher: Henry Holt

Review Posted Online: Feb. 22, 2015

Kirkus Reviews Issue: March 15, 2015

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE RUNAWAY PIGGY / EL COCHINITO FUGITIVO

The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)

Pub Date: Nov. 30, 2010

ISBN: 978-1-55885-586-1

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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