by Gabriel Sherman ‧ RELEASE DATE: Jan. 14, 2014
A well-reported, engaging book. A bonus: Bill O’Reilly won’t like it, either. Politics and media junkies, on the other hand,...
Eye-opening biography of the would-be political kingmaker and Fox News mastermind.
The subject of New York contributing editor Sherman’s debut book, Roger Ailes, is said to be deeply unhappy with his portrait here—and for good reason. Ailes has said that his foes perceive him as “paranoid, right-wing [and] fat.” Leaving aside the physical, he certainly emerges here as right-wing in the neoconservative, self-interested way of the arriviste as opposed to the old-republic conservative of his small-town Midwestern ideal. By Sherman’s account, Ailes openly feared that his greatest bugaboo, Barack Obama, was going to put him in a prison camp after being re-elected. It seems certain that Ailes is an unpleasant customer, powerful enough to frighten Karl Rove into submission, quick to criticize his bevy of breast-shaking on-screen blondes for not being stunning enough (of one-time Miss America Gretchen Carlson, Sherman writes, Ailes said, “It must not have been a good year”). Sherman lingers on the unpleasant details, to be sure, but he charts the larger picture of the self-made man who is convinced that only he and a narrow number of his allies are worthy of the benefits of the free market and who has mastered the arts of TV and fabulation. Yet, even there, Ailes has not been entirely successful: For all his efforts, he never could make his first big media experiment, Richard Nixon, come off as likable, and the tea party that he helped create has apparently sent his vaunted permanent Republican majority off the rails. Yet Fox continues to hold a large market share and shape the political argument in this country, so for all his missteps (Mitt Romney, Sarah Palin et al.), Ailes promises to remain a player on the national scene, even if Sherman suggests that his dominance is coming to an end.
A well-reported, engaging book. A bonus: Bill O’Reilly won’t like it, either. Politics and media junkies, on the other hand, will have a field day.Pub Date: Jan. 14, 2014
ISBN: 978-0-8129-9285-4
Page Count: 540
Publisher: Random House
Review Posted Online: Jan. 22, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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BOOK TO SCREEN
by Yuval Noah Harari ‧ RELEASE DATE: Sept. 4, 2018
Harari delivers yet another tour de force.
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A highly instructive exploration of “current affairs and…the immediate future of human societies.”
Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.
Harari delivers yet another tour de force.Pub Date: Sept. 4, 2018
ISBN: 978-0-525-51217-2
Page Count: 400
Publisher: Spiegel & Grau
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: July 15, 2018
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by Yuval Noah Harari ; illustrated by Ricard Zaplana Ruiz
BOOK REVIEW
by Yuval Noah Harari ; illustrated by Ricard Zaplana Ruiz
by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou
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by Maya Angelou
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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