A confident, confessional modern account of breaking free from image obsession.
Debut essays from the director of fashion and culture at Refinery29.
Though Korn, the former editor-in-chief at Nylon Media, worked at women’s magazines throughout her 20s, their constant use of thin, cisgender cover models often collided with her ideals of diversity, inclusivity, and body positivity. Before the concept of being “woke” gathered steam, the author promoted change, penning viral columns on subjects like body hair. “As women’s media grapples with how to be more positive and inclusive while covering topics like fashion and beauty,” writes the author, “I frequently find myself caught between two worlds—the world of empowerment culture and the world of perfectionism.” In addition to chronicling her rapid rise to the top of Nylon Media, Korn offers intimate forays into her struggles with anorexia, coming out as a lesbian, and finding meaningful love. The narrative serves as a poignant insider’s look at women's digital media as well as a tender retrospective on growing into adulthood in the early 2000s. The author is honest about her enviable position as a tastemaker, though some readers may not muster sympathy for her depictions of salary negotiations or dressing for Fashion Week. In the breezy, clever “Low-Rise,” denim trends inspire reflection on the complexities of sexuality, body image, gender presentation, progressive politics, and social media. “I was coming of age in a time when everything was hypersexualized,” she writes, “but I didn’t understand the relationship between that and actual sex, a disconnect that’s one of the main reasons I didn’t realize I was gay until after high school: it was like being disembodied.” Particularly incisive is Korn’s essay on feminist language being co-opted for profit while one of the author’s themes—that feminism and aesthetics needn't be at odds but that the beauty and fashion industry still need to change—is keenly observed, if familiar. Korn also offers darker reflections about personal and wider pressures on women.
A confident, confessional modern account of breaking free from image obsession.Pub Date: Jan. 5, 2021
ISBN: 978-1-9821-2776-3
Page Count: 272
Publisher: Atria
Review Posted Online: Jan. 21, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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