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AMERICA’S WOMEN

400 YEARS OF DOLLS, DRUDGES, HELPMATES, AND HEROINES

Informative and entertaining, full of vivid stories that reveal not only what women were doing but how they felt about it.

Illuminating cultural history of American women from the first colonists to the present day.

New York Times editorial page editor Collins (Scorpion Tongues, 1998) has turned a veritable mountain of research into an exceptionally readable, lively account of the contradictions and conflicts that have shaped women’s roles in the US. Her central theme is “the tension between the yearning to create a home and the urge to get out of it.” Both sexes, she states, have accepted mixed messages about women’s proper role, and our history is full of about-faces on the subject. In an anecdote-laden text often relying on diaries and other contemporary records, she recounts how colonial women were not just housewives, midwives, and innkeepers, but religious dissidents (Anne Hutchinson) and Indian fighters (Hannah Dustin). During the Revolution, some donned men’s clothing and joined the army, but more traveled with their soldier husbands, doing the cooking and washing, or stayed home and ran the family farm. Juliette Brier, who walked 100 miles through Death Valley carrying one child on her back and another in her arms while leading a third, epitomizes the endurance and spirit of pioneer women. But it’s not all heroics and hardship. Collins fills her pages with fascinating details of everyday life over four centuries, including how women dressed, managed personal hygiene, and raised children. The roles they played in the temperance, abolition, and suffrage movements, the effects of the Civil War on southern women, white and black, the lives of 19th-century immigrant women are all explored. Collins shows how women, kept out of the workplace during the Depression, were brought into it by necessity during WWII. Their retreat to the home in the ’50s, the subsequent sexual revolution, and the rise of feminism may be more familiar dramas than the earlier history, but the details are no less absorbing.

Informative and entertaining, full of vivid stories that reveal not only what women were doing but how they felt about it.

Pub Date: Oct. 1, 2003

ISBN: 0-06-018510-4

Page Count: 576

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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