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UNFINISHED DESIRES

A strong story populated by a host of memorable characters—smart, satisfying fiction, one of the author’s best in years.

After a couple of subpar efforts, Godwin (Queen of the Underworld, 2006, etc.) is back in top form with a gripping tale of jealousies and power struggles at a Catholic girls’ school.

In the year 2001, elderly Mother Suzanne Ravenel tape-records her memories of her 50 years at Mount Saint Gabriel’s in the Appalachian mountains of North Carolina. Her worst memories are of the dreadful school year 1951-52, when a turbulent ninth grader provoked an outburst that resulted in the headmistress being sent on a leave of absence. Mother Ravenel’s own student years at Mount Saint Gabriel’s in the 1930s also figure in the story, as does her fraught friendship with Antonia Tilden. This being the South, the separate generations are connected by blood and grievances. Antonia’s orphaned niece Chloe is in that 1951-52 ninth-grade class, and she becomes best friends with manipulative, needy Tildy Stratton, daughter of Antonia’s embittered twin Cordelia, who’s convinced that Suzanne Ravenel’s pushiness led to Antonia abandoning her true vocation as a nun. Cordelia’s animosity and malice drive the plot, as Tildy takes up her mother’s vendetta against the admittedly bossy, self-righteous Mother Ravenel. Chloe’s kind Uncle Henry is the only male character of any significance; the emphasis is on female friendships, especially the adolescent variety, with its gusts of hormonal emotions and intricate maneuvers for position. Bad mothers get a good deal of attention as well (there are quite a few of them), and Godwin elicits our understanding for all her characters without letting them off the hook for bad behavior. She skillfully unfolds fascinatingly tangled motives as she keeps the action bustling along. Moving final scenes show an old nun realizing that mixed motives matter less than a lifetime of service, and two old friends reconnecting after 55 years, matured and seasoned by what they’ve endured, but not so very different from what they were at 14.

A strong story populated by a host of memorable characters—smart, satisfying fiction, one of the author’s best in years.

Pub Date: Dec. 29, 2009

ISBN: 978-0-345-48320-1

Page Count: 416

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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