An unusual historical novel not soon forgotten.
Two outsiders and a monstrous dictator deal with tumultuous world events.
Beginning with the oft-rumored escape and survival of Grand Duchess Anastasia Nikolaevna of Russia, this novel twists and turns through some of the most significant historical events of the 20th century. Under the watchful eye of the sympathetic Count Carl Zurofsky, the girl, now known only as Anna, grows up in Romania. All the while, her country and birthright face upheaval and strife as history takes its course through world war, revolution, advancement, and tyranny. Both Anna and Carl are point-of-view characters, offering perspectives as outsiders, victims, and recipients of dramatic legacies. In fact, Carl’s family descends from Count Dracula, a history that stains him even as it inspires him to do good from the shadows. But since both Anna and Carl are somewhat removed from the centers of power they might otherwise occupy, the novel offers readers the perspective of none other than Stalin himself as he shapes history and is shaped by it in turn. The industrial backdrop of Russia’s five-year plans stands in stark contrast to the wild, pastoral beauty of Anna’s new surroundings. At the same time, her discovery of love and forgiveness is vastly different from Stalin’s struggles with power, corruption, and the fragile nonaggression pact he strikes with Germany on the eve of World War II. Logan (Time Is of the Essence, 2008, etc.) approaches this historical novel with a surprising poetic flair. The character perspectives switch back and forth frequently, although the engrossing narration does sometimes linger on one setting over the other when history demands a longer, more thorough treatment of a particular time or event. Meanwhile, the prose is flexible, readily shifting between traditional, effective dialogue and more verselike descriptions, making reading it a new experience. Fans of historical fiction may find the novel’s creative liberties a little fanciful or its short length insufficient to convey the temporal details common to the genre. But if readers keep an open mind, they’ll be treated to a lyrical, character-focused journey into events and figures rarely humanized in fiction.
An unusual historical novel not soon forgotten.Pub Date: Nov. 4, 2014
ISBN: 978-1-4917-5094-0
Page Count: 196
Publisher: iUniverse
Review Posted Online: Nov. 7, 2019
Review Program: Kirkus Indie
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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