Cognoscenti will especially appreciate the musical references, but readers need not be opera buffs to enjoy this novel.
In Gale’s humorous backstage novel, a small-town opera company stages Don Giovanni.
With revenues declining, putting on an opera anywhere these days is a difficult task—especially so in the fading Rust Belt town of Hankey, Pa. Although the opera’s new artistic director collapsed with a heart attack during his job interview, he teams up with the opera guild—led by energetic divorcee Deanna Lundquist—to ambitiously plan a production of Don Giovanni, technical challenges and all. Things start looking up when they snag rising star Leandro Vasquez for the lead. Discovered singing to his cattle, he’s a lusty, smoldering-hot Argentinian gaucho—someone sexy enough to bring a whole new audience to the opera. Unfortunately, he might lose himself in the role. Guild members include a retired dermatologist, a lovesick ingénue, a manic-depressive heiress to a condiment empire and an event planner who speaks to the dead. And then there are the ghosts. Packed with comic misadventures, mystery, intrigue and opera lore, the book rollicks along to a satisfying conclusion. In trying to give each point of view its due, Pushcart Prize–nominee Martin sometimes has difficulty wrangling her large cast, making it hard for readers to keep track of all the intersecting, overlapping agendas. A carefully staged farce in the lothario Leandro’s dressing room, for example, fizzles; there’s too much going on for too little payoff. One character, Jeannie Jacobs, overcomplicates things to little effect, and the book would be stronger without her. But the interplay among the cast is amusing; Vivian, the ketchup heiress, gets some especially good scenes. Though everyone’s easy acceptance of the supernatural can strain belief—one character levitates during a séance, exciting no comment—the generally operatic setting helps it all go down better. The details involved in putting on an important opera are fascinating and true, particularly the technical discussions about staging.
Cognoscenti will especially appreciate the musical references, but readers need not be opera buffs to enjoy this novel.Pub Date: Nov. 11, 2011
ISBN: 978-1935961406
Page Count: 308
Publisher: Booktrope Editions
Review Posted Online: April 24, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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