Cognoscenti will especially appreciate the musical references, but readers need not be opera buffs to enjoy this novel.
In Gale’s humorous backstage novel, a small-town opera company stages Don Giovanni.
With revenues declining, putting on an opera anywhere these days is a difficult task—especially so in the fading Rust Belt town of Hankey, Pa. Although the opera’s new artistic director collapsed with a heart attack during his job interview, he teams up with the opera guild—led by energetic divorcee Deanna Lundquist—to ambitiously plan a production of Don Giovanni, technical challenges and all. Things start looking up when they snag rising star Leandro Vasquez for the lead. Discovered singing to his cattle, he’s a lusty, smoldering-hot Argentinian gaucho—someone sexy enough to bring a whole new audience to the opera. Unfortunately, he might lose himself in the role. Guild members include a retired dermatologist, a lovesick ingénue, a manic-depressive heiress to a condiment empire and an event planner who speaks to the dead. And then there are the ghosts. Packed with comic misadventures, mystery, intrigue and opera lore, the book rollicks along to a satisfying conclusion. In trying to give each point of view its due, Pushcart Prize–nominee Martin sometimes has difficulty wrangling her large cast, making it hard for readers to keep track of all the intersecting, overlapping agendas. A carefully staged farce in the lothario Leandro’s dressing room, for example, fizzles; there’s too much going on for too little payoff. One character, Jeannie Jacobs, overcomplicates things to little effect, and the book would be stronger without her. But the interplay among the cast is amusing; Vivian, the ketchup heiress, gets some especially good scenes. Though everyone’s easy acceptance of the supernatural can strain belief—one character levitates during a séance, exciting no comment—the generally operatic setting helps it all go down better. The details involved in putting on an important opera are fascinating and true, particularly the technical discussions about staging.
Cognoscenti will especially appreciate the musical references, but readers need not be opera buffs to enjoy this novel.Pub Date: Nov. 11, 2011
ISBN: 978-1935961406
Page Count: 308
Publisher: Booktrope Editions
Review Posted Online: April 24, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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