Indeed, the wealth of detail and characters, coupled with a generally colorless translation, often makes this story feel...
Exhaustively researched biography of the revered Chinese premier who helped guide China through its infancy onto the world stage.
Zhou Enlai is probably best known for arranging the famous visits of President Nixon and Secretary of State Kissinger to China in 1972. But the fingerprints of this skilled diplomat and statesman remain all over the growing giant that is modern China. The author, who as a young bureaucrat wrote the Chinese Communist Party’s official Zhou Enlai biography before emigrating to the United States with his smuggled notes, traces Zhou from his days as a struggling student revolutionary to his many years of loyal service as Mao Zedong’s unassuming, faithful assistant. None of this ultimately mattered, however: Jealous of the worldwide attention thrust on Zhou following the Nixon visit, the vindictive, scheming Mao spent Zhou’s final years trying desperately to discredit and destroy him. Unlike many other loyal supporters on whom Mao eventually turned, Zhou proved adept at dodging the attacks launched by the chairman and his vengeful wife Jiang Qing—attacks that persisted right up until Zhou finally succumbed to cancer in 1976. Eight months later, Mao also died. Zhou’s choice for successor as Chinese premier, Deng Xiaoping, immediately launched the modernization of China’s military and economy that Zhou had long sought. Mao and the murderous Cultural Revolution he had launched were finally cast in disgrace. Gao parlays his unique access to secret documents into a detailed, riveting account of the backroom intrigue that constituted life under Mao for China’s leaders.
Indeed, the wealth of detail and characters, coupled with a generally colorless translation, often makes this story feel more like a history textbook than a revealing portrait. Nevertheless, students of both China and modern history will not be disappointed by this evenhanded, unblinking biography.Pub Date: Nov. 5, 2007
ISBN: 978-1-58648-415-6
Page Count: 368
Publisher: PublicAffairs
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2007
A fascinating, major work that will spark endless debates.
An epic cradle-to-grave biography of the king of pop art from Gopnik (co-author: Warhol Women, 2019), who served as chief art critic for the Washington Post and the art and design critic for Newsweek.
With a hoarder’s zeal, Andy Warhol (1928-1987) collected objects he liked until shopping bags filled entire rooms of his New York town house. Rising to equal that, Gopnik’s dictionary-sized biography has more than 7,000 endnotes in its e-book edition and drew on some 100,000 documents, including datebooks, tax returns, and letters to lovers and dealers. With the cooperation of the Andy Warhol Museum in Pittsburgh, the author serves up fresh details about almost every aspect of Warhol’s life in an immensely enjoyable book that blends snappy writing with careful exegeses of the artist’s influences and techniques. Warhol exploded into view in his mid-40s with his pop art paintings of Campbell’s Soup cans and silkscreens of Elvis and Marilyn. However, fame didn’t banish lifelong anxieties heightened by an assassination attempt that left him so fearful he bought bulletproof eyeglasses. After the pop successes, Gopnik writes, Warhol’s life was shaped by a consuming desire “to climb back onto that cutting edge,” which led him to make experimental films, launch Interview magazine, and promote the Velvet Underground. At the same time, Warhol yearned “for fine, old-fashioned love and coupledom,” a desire thwarted by his shyness and his awkward stance toward his sexuality—“almost but never quite out,” as Gopnik puts it. Although insightful in its interpretations of Warhol’s art, this biography is sure to make waves with its easily challenged claims that Warhol revealed himself early on “as a true rival of all the greats who had come before” and that he and Picasso may now occupy “the top peak of Parnassus, beside Michelangelo and Rembrandt and their fellow geniuses.” Any controversy will certainly befit a lodestar of 20th-century art who believed that “you weren’t doing much of anything as an artist if you weren’t questioning the most fundamental tenets of what art is and what artists can do.”
A fascinating, major work that will spark endless debates.Pub Date: April 21, 2020
ISBN: 978-0-06-229839-3
Page Count: 976
Publisher: Ecco/HarperCollins
Review Posted Online: Dec. 1, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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