Vintage Wills—a strong interpretive framework, vigorous prose and big, provocative arguments.
In this learned, impassioned jeremiad, Pulitzer Prize–winning Wills (What Jesus Meant, 2006, etc.) traces two styles of Protestantism throughout American history and sounds the alarm about evangelicalism.
During the Revolutionary era, the Enlightenment religious culture, which made possible the disestablishment of churches and gave birth to Transcendentalism, valued reason and tolerance. Evangelical emotionalism, on the other hand, which came to prominence in the religious revivals of the early 19th century, emphasizes feeling and teaches people to know God with their hearts rather than to scrutinize religion with their brains. The history of American Christianity, suggests Wills, can be viewed as a tug of war between those two impulses. Some of the freshest material here is the author’s discussion of the mid-20th-century “great truce between the religious communities,” in which different religious groups adopted an ecumenical friendliness and the nation seemed to settle into a comfortable state of being politely “Judeo-Christian.” By contrast, Wills’ treatment of post-1960s evangelicalism is thin, and ignores the political diversity within theologically conservative churches. The great truce was short-lived, however, and the present moment illustrates the dangers of unchecked evangelicalism. President Bush has allowed religion to shape his administration’s approach to social services, health, science and, of course, war—he has, says Wills, betrayed and endangered Enlightenment Christianity. Despite his pessimism about the current administration, the author concludes on a hopeful note. Evangelical passion and Enlightenment intellectual rigor are not mutually exclusive, he says. Indeed, they are often present in the same church. Although it is “hard to strike the right balance between the two religious tendencies,” that “precarious but persisting balance” of piety and reason is precisely what Americans ought to cultivate.
Vintage Wills—a strong interpretive framework, vigorous prose and big, provocative arguments.Pub Date: Oct. 8, 2007
ISBN: 978-1-59420-146-2
Page Count: 552
Publisher: Penguin Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2007
BOOK REVIEW
BOOK REVIEW
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
Internationally renowned because of his earlier books, among them tape Letters, Surprised by Joy, Mere Christianity, C. S. Lewis making religion provoking, memorable and delightful is still more latest Reflections on the Psalms. Though he protests that he writes learned about things in which he is unlearned himself, the reader is likely thank God for his wise ignorance. Here especially he throws a clear lightly or not, on many of the difficult psalms, such as those which abound with and cursing, and a self-centeredness which seems to assume' that God must be side of the psalmist. These things, which make some psalm singers pre not there, have a right and proper place, as Mr. Lewis shows us. They of Psalms more precious still. Many readers owe it to themselves to read flections if only to learn this hard but simple lesson. Urge everyone to book.
Pub Date: June 15, 1958
ISBN: 015676248X
Page Count: 166
Publisher: N/A
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1958
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