It’s 1968. The Vietnam War and Apollo 11 are in the background, and between a war in a distant land and a spacecraft heading to the moon, Doug Swieteck starts a new life in tiny Marysville, N.Y. He hates “stupid Marysville,” so far from home and his beloved Yankee Stadium, and he may have moved away, but his cruel father and abusive brothers are still with him. Readers of the Newbery Honor–winning The Wednesday Wars (2007) will remember Doug, now less edgy and gradually more open to the possibilities of life in a small town. Each chapter opens with a print of a John James Audubon painting, and Mr. Powell, the town librarian, teaches Doug to paint and see the world as an artist. He meets pretty Lillian Spicer, just the feisty friend Doug needs, and a whole cast of small-town characters opens Doug to what he might be in the world. This is Schmidt’s best novel yet—darker than The Wednesday Wars and written with more restraint, but with the same expert attention to voice, character and big ideas. By the end of this tale, replete with allusions to Our Town, Doug realizes he’s pretty happy in Marysville, where holding hands with the green-eyed girl—and a first kiss—rival whatever might be happening on the moon. (Historical fiction. 10-14)
Pub Date: April 5, 2011
ISBN: 978-0-547-15260-8
Page Count: 368
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
Nineteenth-century tomboy Louisa Cosgrove wants to study medicine, but after her indulgent father's death, that dream seems impossibly distant. Her mother dispatches her to family friends, but Louisa never arrives. Instead, she is taken to Wildthorn Hall, an insane asylum. The staff insist her name is Lucy Childs, and her treatment ranges from the relatively benign (tranquilizers) to the horrific (sensory deprivation). The mystery of Louisa's incarceration is revealed through alternating chapters of her present and childhood: Like many of her fellow "patients," Louisa's been committed for being a troublesome woman. Luckily, her family doesn't know of those tendencies that would make her utterly irredeemable—her overly fond feelings for her beautiful cousin Grace. Unlike many of the other inmates, who seem to develop mental illness from the cruelty of their surroundings, Louisa is determined to escape, perhaps with the help of a lovely asylum employee, Eliza. Despite a too-pat ending, Louisa and Eliza provide a window into a shameful history of mental health care and women's incarceration that only ended in living memory. (Historical fiction. 12-14)
Pub Date: Sept. 1, 2010
ISBN: 978-0-547-37017-0
Page Count: 352
Publisher: Houghton Mifflin
Review Posted Online: Aug. 17, 2010
Kirkus Reviews Issue: Sept. 1, 2010
BOOK REVIEW
BOOK REVIEW
Jack Christie and his hulking sidekick, Angus (introduced in Day of the Assassins, 2009), take another trip into the past as agents of VIGIL, this time to scotch a scheme by the megalomaniac Pendleshape and his Revisionists to support the Spanish Armada with modern weaponry. Gore-splashed—Jack and Angus arrive just in time to witness the graphically described beheading of Mary, Queen of Scots—and fast-paced, the jaunt features plenty of chases and escapes, as well as encounters with the likes of Christopher Marlowe, William Shakespeare and Queen Elizabeth, not to mention extended scenes of actors in drunken revelry for comic relief and a violent climactic sea battle aboard Sir Francis Drake’s flagship. As before, O’Brien seems to see no conflict between VIGIL’s determination to prevent the past from being changed and its agents’ willingness to use 21st-century technology openly—and even leave it behind. Still, noncritical readers will enjoy the nonstop action, as well as the glimpses of historical figures. The author includes afternotes on the latter. (Time-travel fantasy. 11-13)
Pub Date: Sept. 1, 2010
ISBN: 978-0-7636-5075-9
Page Count: 224
Publisher: Templar/Candlewick
Review Posted Online: July 15, 2010
Kirkus Reviews Issue: Aug. 1, 2010
BOOK REVIEW
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