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PIECES OF TIME

THE LIFE OF JAMES STEWART

A paint-by-numbers biography of the star of such classic films as It's a Wonderful Life, Harvey, Rear Window, and Vertigo. With his lanky good looks, his earnest, genial demeanor, the recently deceased Stewart often played the prototypical American. His naturalistic style of acting, with its frequently parodied starts and stammers, seemed effortless, but as Stewart once remarked, ``If I give a natural appearance on the screen, you can be damn well sure I'm working at it.'' He had no intention of becoming an actor, but a few amateur theatrical productions at Princeton soon had him hooked. He was quickly discovered by MGM, and by 1941 he was a top star with a clearly identifiable and beloved screen persona. After harrowing service during WW II as a bomber pilot, he returned to Hollywood and proceeded to make a series of notable films with Alfred Hitchcock and Anthony Mann in which he deliberately subverted his prewar image to telling effect. But despite a few flashes here and there, this biography does not rise to the level of its subject. Preferring catalog to character, the author leapfrogs relentlessly from film to film, as if that was all that made up a life. Throughout, Fishgall (Against Type: The Biography of Burt Lancaster, 1995) reduces Stewart to little more than filmography leavened with a few familiar anecdotes, while psychological insight, analysis, and dissection of craft are mostly relegated to the sidelines. Fishgall has done an impressive amount of work, watching all of Stewart's scores of films, interviewing anyone with the slightest connection, reading all the requisite memoirs, but given the shallows in which he operates, he could have gotten by with half the effort. It may have been a wonderful life, but this isn't a wonderful biography. (16 pages b&w photos, not seen)

Pub Date: Sept. 12, 1997

ISBN: 0-684-82454-X

Page Count: 416

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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