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FIRST FRIENDS

THE POWERFUL, UNSUNG (AND UNELECTED) PEOPLE WHO SHAPED OUR PRESIDENTS

A fresh, well-written take on the lives of our presidents.

A Clinton administration insider delivers a fruitful survey of the roles that close friends have played throughout presidential history.

Ginsberg comes to his subject by way of a long-ago spell of volunteering for the presidential campaign of Gary Hart, who had one well-known confidant in actor Warren Beatty and a lesser-known one in old friend and chief of staff Billy Shore, who “seemed to be Hart’s alter ego, someone with the right combination of intensity yet inner calm to keep an often pensive candidate switched on.” So it is across the span of presidencies: Thomas Jefferson had his Billy Shore in fellow Virginian James Madison, who himself would become president but who contented himself in remaining in Jefferson’s shadow even as he made substantial contributions to the Constitution. Woodrow Wilson had his “First Friend,” as Ginsberg dubs the occupant of that unofficial but influential role, in a diminutive Texan named Edward Mandell House, whose views neatly aligned with Wilson’s in most regards and who hand-picked many of the players in the Wilson administration. So it was with Vernon Jordan, Bill Clinton’s closest friend, who served numerous functions, from helping select staff members to warding off a post–Lewinsky affair threat of divorce on the part of the first lady. Perhaps most affecting in this series of portraits is, curiously enough, Richard Nixon’s friendship with Bebe Rebozo, a Cuban exile and influential banker who was seemingly glad to play “a subservient role” but who also knew how to deal with Nixon’s dark moods. Ginsberg does nothing to improve Nixon’s reputation as he recounts how the president eventually brought the straight-arrow Rebozo into the criminal conspiracy that ended his tenure in the White House—with Rebozo urging Nixon not to resign until the very end. There’s no real thesis in Ginsberg’s capably spun story, but there are plentiful insights.

A fresh, well-written take on the lives of our presidents.

Pub Date: July 6, 2021

ISBN: 978-1-5387-0292-5

Page Count: 352

Publisher: Twelve

Review Posted Online: May 17, 2021

Kirkus Reviews Issue: June 1, 2021

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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