A Western tale packed with intriguing historical issues but lacking fully developed characters.
This third installment of a series revives Marshal Angus Esperraza for another eventful ride, this time joining a research expedition retracing the forced relocation of the Navajo.
Angus has no plans for the day in Chama, New Mexico, beyond studying a map, but when a telegraph comes in telling him about a new assignment, he jumps into action. Or rather, first he has a chat with his gunsmith wife, Jill, which sets the tone for this Western, full of long discussions and thoughtful interactions in 1888. In fact, lengthy talks are the point of Angus’ latest mission. He is accompanying a Smithsonian researcher and writer, a military man, and a Navajo woman along the path used by the Army when the Navajo were relocated to Bosque Redondo in New Mexico. Naturally, tensions flare, and a series of crimes—a young guide shot and killed, a stagecoach brake sabotaged, etc.—raises the possibility that someone doesn’t want this research concluded. While this seems like a classic Western setup—complete with a stagecoach full of diverse characters—the focus isn’t on typical action scenes, but on more cerebral issues of history. At times that emphasis on dialogue leads to some didacticism, and not just from the Smithsonian’s researcher: for instance, the man described as “an experienced teamster” goes on to note regional differences in what the driver is called—“a whip back East, or a teamster out West.” The Navajo woman imparts a history lesson, asking, “Did you also know that it was a Mexican, a man called Nakhayazih, who established the first trading post at Chinle in 1882?” There are some engrossing tidbits about the past in Stuart’s (Anatomy of a Confession, 2016, etc.) work, and some impressive conversations about the violent Long Walk of the Navajo. But with many in the cast sounding more alike than different, and with much of the book being taken up by those exchanges, readers may end up educated about the bloody history of the Southwest, but not necessarily engaged by these characters.
A Western tale packed with intriguing historical issues but lacking fully developed characters.Pub Date: March 8, 2017
ISBN: 978-0-9863441-4-5
Page Count: 300
Publisher: Gleason & Wall Publishing
Review Posted Online: April 29, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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