A Western tale packed with intriguing historical issues but lacking fully developed characters.
This third installment of a series revives Marshal Angus Esperraza for another eventful ride, this time joining a research expedition retracing the forced relocation of the Navajo.
Angus has no plans for the day in Chama, New Mexico, beyond studying a map, but when a telegraph comes in telling him about a new assignment, he jumps into action. Or rather, first he has a chat with his gunsmith wife, Jill, which sets the tone for this Western, full of long discussions and thoughtful interactions in 1888. In fact, lengthy talks are the point of Angus’ latest mission. He is accompanying a Smithsonian researcher and writer, a military man, and a Navajo woman along the path used by the Army when the Navajo were relocated to Bosque Redondo in New Mexico. Naturally, tensions flare, and a series of crimes—a young guide shot and killed, a stagecoach brake sabotaged, etc.—raises the possibility that someone doesn’t want this research concluded. While this seems like a classic Western setup—complete with a stagecoach full of diverse characters—the focus isn’t on typical action scenes, but on more cerebral issues of history. At times that emphasis on dialogue leads to some didacticism, and not just from the Smithsonian’s researcher: for instance, the man described as “an experienced teamster” goes on to note regional differences in what the driver is called—“a whip back East, or a teamster out West.” The Navajo woman imparts a history lesson, asking, “Did you also know that it was a Mexican, a man called Nakhayazih, who established the first trading post at Chinle in 1882?” There are some engrossing tidbits about the past in Stuart’s (Anatomy of a Confession, 2016, etc.) work, and some impressive conversations about the violent Long Walk of the Navajo. But with many in the cast sounding more alike than different, and with much of the book being taken up by those exchanges, readers may end up educated about the bloody history of the Southwest, but not necessarily engaged by these characters.
A Western tale packed with intriguing historical issues but lacking fully developed characters.Pub Date: March 8, 2017
ISBN: 978-0-9863441-4-5
Page Count: 300
Publisher: Gleason & Wall Publishing
Review Posted Online: April 29, 2018
Review Program: Kirkus Indie
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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