by Gary Marmorstein ‧ RELEASE DATE: July 3, 2012
“Ev’rything I’ve got belongs to you,” goes one Hart lyric that now, thanks to the author’s thorough, affectionate research,...
The author of The Label: The Story of Columbia Records (2007) returns with a deeply sympathetic biography of Lorenz Hart (1895–1943), the talented, troubled lyricist of film and Broadway fame.
Marmorstein, who has published often about the popular arts, has done an enormous service for fans of stage and movie musicals of the early decades of the 20th century. Here, the author details Hart’s short life, explores his most productive professional partnership with composer Richard Rodgers, chronicles his descent into the alcoholism that killed him, speculates about his sexuality (his colleagues knew he was gay; the public did not), and provides numerous examples of Hart’s witty, sometimes risqué lyrics (risqué, of course, by 1940s standards). Hart, whose adult height perhaps touched 5 feet and who seemed always to have a cigar, wrote some 800 songs with Rodgers, many of which are Broadway classics, among them “Manhattan,” “My Funny Valentine” and “Where or When.” But Hart was a psychological mess. Perhaps due to his height (a constant joke about him in the press, and even from Rodgers’ mouth) or his sexuality (frequently he would disappear in the evenings) or the enormous pressure to write on quick deadlines, Hart became so increasingly unreliable that Rodgers approached Oscar Hammerstein II to write the lyrics for the show that would become Oklahoma! Hart subsequently wrote only a handful of songs. Marmorstein often summarizes the shows of Rodgers and Hart (routinely referring to them as “the boys”), sometimes too thoroughly, and there are so many interesting characters on his stage—like Cole Porter and George Abbott—that occasionally he loses track of Hart, who, sadly, left few intimate documents, excepting, of course, those wondrous words.
“Ev’rything I’ve got belongs to you,” goes one Hart lyric that now, thanks to the author’s thorough, affectionate research, holds another, profoundly poignant meaning.Pub Date: July 3, 2012
ISBN: 978-1-4165-9425-3
Page Count: 576
Publisher: Simon & Schuster
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
Share your opinion of this book
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
Awards & Accolades
Likes
21
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2015
Kirkus Prize
winner
New York Times Bestseller
IndieBound Bestseller
National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
Share your opinion of this book
More by Ta-Nehisi Coates
BOOK REVIEW
by Ta-Nehisi Coates ; illustrated by Jackie Aher
BOOK REVIEW
BOOK REVIEW
More About This Book
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Share your opinion of this book
More by Elie Wiesel
BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.