Despite a dearth of plot, Zebrun’s ruminative second novel (Someone You Know, 2004) captivates through the complexity and...
Coming of age in a dying American town is hard enough. But if you’re Middle Eastern and gay...
It’s early 2001 in the small industrial town of Lackawanna, just south of Buffalo. Asim Zahid is on the verge of adulthood and anxious to escape to the University of Michigan, but tying up loose ends at home as well as the prospect of a new love provide thorny obstacles. The new love is an improbably easygoing redhead named Billy, and the very ease of this budding relationship causes Asim to question it. The major loose end comes in the person of the fragile Sonia, whose sense of reality is skewed by a lifelong immersion in classic old films. The Latvian-born Sonia was the mistress of Asim’s recently deceased father, and Asim promised to look after her as well as the Bethlehem Theater, the movie house which has been the family business for decades. Both Asim and Sonia have literally hundreds of films as reference points. (An early scene finds them comparing the relative merits of big-screen James Bonds, past and present.) Indeed, their film-viewing histories frame their observations of the world around them. While the chapters from Asim’s perspective are bathed in longing, Sonia dreamily morphs memories of past films into her analysis of a bedside clock, a homeless man, Asim’s current mood, etc. The third character in the family mix is Asim’s angry brother Tarik, who impugns the sexuality of both Asim and his father (correctly, it turns out). Tarik, who also has his cinematic influences, may be edging into a terrorist cell, less from political conviction than from inner turbulence.
Despite a dearth of plot, Zebrun’s ruminative second novel (Someone You Know, 2004) captivates through the complexity and vulnerability of its characters and the excellence of its prose, polished to a luminous transparency.Pub Date: N/A
ISBN: 978-1-59350-084-9
Page Count: 216
Publisher: Alyson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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