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SHAPESHIFTERS

A JOURNEY THROUGH THE CHANGING HUMAN BODY

Captivating medical narratives that fit well alongside those of Oliver Sachs, Atul Gawande, Jerome Groopman, and Berton...

A physician/writer celebrates the dynamism and transformation of the human body and life.

Francis (Adventures in Human Being: A Grand Tour from the Cranium to the Calcaneum, 2015, etc.), who regularly contributes to the London Review of Books and the Guardian, brings well-honed knowledge to these short chapters on the perpetual metamorphosis of the human body. What makes the book fun to read is not only the author’s limpid anecdotes, but also his abiding marvel at the body’s endless expressions. Francis ranges freely and skillfully from the strange to the elemental, such as pregnancy, “a primitive reminder that [the body’s] changes are often beyond control; that bodies have their own rhythms, waypoints and fixed destinations.” The author also explores the body’s acts: sleep, for example, during which vital cerebral hygiene is at stake, and dreaming, which tends to our restless minds and “transforms our fear, shame and dark ambitions into…narratives.” Francis is clearly drawn to curiosities, but he never makes them seem freakish—nor is he judgmental, but rather colorfully frank: Think steroids are the only road to a fine physique? Consider the risks of diabetes, infertility, depression, uncontainable bouts of rage, and wicked acne. These chapters can easily be read as stand-alones—the chapter on jetlag is followed by one on ancient and modern bone-setting techniques—but it’s also satisfying to binge-read a number of them at once. While it might be disappointing to read that “we don’t have much idea as to why we laugh”; appalling to consider that late-19th-century Vatican officials were still castrating young boys for its choir; and infuriating to read that the return of tuberculosis is a direct result of poverty, as are so many other maladies, Francis always makes you think.

Captivating medical narratives that fit well alongside those of Oliver Sachs, Atul Gawande, Jerome Groopman, and Berton Roueché.

Pub Date: June 5, 2018

ISBN: 978-1-5416-9752-2

Page Count: 288

Publisher: Basic Books

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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