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THE GREAT SWIM

A stirring portrait of courage and endurance, but also a bittersweet tale of the vagaries of fame and fortune.

Mortimer (The Longest Night: The Bombing of London on May 10, 1941, 2005, etc.) recounts the quest of four intrepid women who in the summer of 1926 attempted to become the first female to swim the turbulent English Channel.

Nineteen-year-old Gertrude Ederle, sponsored by Chicago Tribune owner and New York Daily News founder Joseph Patterson, had tried and failed the previous year. In her 1926 attempt, she was joined by Lillian Cannon, whose conquest of Chesapeake Bay brought her the backing of the Baltimore Post; Mille Gade, who had already completed a swim around Manhattan Island; and Clarabelle Barrett, a 200-pound-plus high-school swim instructor who longed to be an opera singer. Lodged separately with their trainers and backers in the seaside French town of Cape Gris-Nez, the four waited impatiently through July for the unusually chilly, windy weather to break. Even in August, their marathon swims were made in bone-chilling 60-degree water. The absence of today’s high-tech wet suits was hardly mourned by the sponsoring newspaper editors, who saw photos of the competitors in swimsuits as guaranteed circulation boosters. (Ederle’s swim, in fact, was made in what may have been the world’s first bikini.) Mortimer’s prose is not especially colorful or evocative, but his diligent attention to detail makes this an engaging, entertaining read; the vintage news photos he unearthed are also worthwhile. Shy, introverted Ederle was better suited to the channel swim than to the media-stoked fame she experienced afterward. Hounded by well-wishers and ill-served by a greedy business manager, she found her celebrity difficult to manage.

A stirring portrait of courage and endurance, but also a bittersweet tale of the vagaries of fame and fortune.

Pub Date: Feb. 1, 2008

ISBN: 978-0-8027-1595-1

Page Count: 336

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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