Much needed in the landscape of family-oriented picture books.
A loving, celebratory window into a young child’s relationship with their nonbinary parent.
The latest in Pitman’s LGBTQ books for children introduces young readers to a parent whose gender identity and expression are “entirely fantastically their own”—not a mommy or a daddy, but “my Maddy.” Told from the perspective of a light-skinned, redheaded child, the story normalizes what’s “in between, and kind of both,” which is everywhere in nature, from dawn (“it’s not day and it’s not night,” Maddy explains) to the color hazel (a mix between green and brown). Vignettes from the main characters’ everyday lives are vibrantly depicted in artist Tobacco’s bold, full-bleed illustrations, including walks to school, snacktime, and stories before bed. Particularly noteworthy is the heartwarming scene when Maddy kisses their kid goodbye before dropping them off at school: Beside a glowing portrait of the beaming family, the text reads, “Maddy’s kisses feel like sandpaper against my face.” Such positive images of gender-nonconforming presentations are rare in children’s literature, making this a valuable addition to any school, public, or personal library for its engaging art and accessible representation for a wide age range. The adult-oriented backmatter uses person-first language and identifies the book’s inspiration as intersex; notes on intersex identity and supporting children in understanding their parents’ genders are accompanied by resources. Unfortunately, one of these is the Human Rights Campaign, known for its fraught relationship with trans communities.
Much needed in the landscape of family-oriented picture books. (Picture book. 4-9)Pub Date: May 25, 2020
ISBN: 978-1-4338-3044-0
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A pleasant tale of determination.
Tía Isa dreams of buying a big car, green like the ocean that surrounds the island that she, her brother Andrés and their niece left to move to the United States.
Since most of their extra money goes to help the family still on the island, Tía Isa and her niece know it will take time. The car will not only get them to the beach but will also be large enough for the rest of the family, once they start moving to the States, too. As the unnamed first-person narrator, the niece starts telling people around the neighborhood about her aunt’s dream and begins earning money by helping the produce man at his store, an elderly woman with her kittens and the librarian with her Spanish. Soon, they have enough saved. The car they choose is shiny green with plenty of room for the whole family. The two drive back to their apartment to celebrate the purchase with Tío Andrés. The last two pages show the young girl, now reunited with her parents, on the beach. Muñoz captures all of the action in watercolors accented with ink and pencil. Besides the pleasant story, the interwoven Spanish and references to “Helping Money” and families divided by immigration may make the book particularly appealing to immigrant Latino children.
A pleasant tale of determination. (Picture book. 4-8)Pub Date: June 1, 2011
ISBN: 978-0-7636-4156-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A joyful celebration of Cuban tradition and family ties.
A young Cuban American child visits Abuelo in Cuba and helps him sell fruit in the street.
As Abuelo pushes a cart laden with fruit, they sing out the names of the fruit in the cart: “mango, limón, coco, melón, / naranja, toronja, plátano, piña.” Their happy voices reach far, inviting people to come and purchase. Other street vendors join in, singing out their own wares. The louder they call out, the louder Abuelo must sing. Palacios’ vibrant illustrations beautifully capture the joy and liveliness of the event. The child tells readers, “my favorite visits…are on the eve of el año nuevo” when people buy 12 grapes and make a wish, one for each month of the new year. This child’s wish, reflecting the author’s own leitmotif, is for friendship between the two countries and a time when families on both sides of the narrow strip of ocean that separates them can freely visit. In the author’s note, Engle gives some details on the travel restrictions that keep families apart as well as explaining her choice to use Spanglish in the text. Readers also learn a little more about Cuban street vendors—pregoneros—and the tradition of having grapes on New Year’s Eve. The main character has exuberant wavy black hair and brown skin like Abuelo’s; other characters reflect Cuba’s racial diversity. The story publishes simultaneously in Spanish, with a translation by Alexis Romay. (This book was reviewed digitally.)
A joyful celebration of Cuban tradition and family ties. (Picture book. 4-6)Pub Date: Aug. 3, 2021
ISBN: 978-1-5344-4489-8
Page Count: 40
Publisher: Atheneum
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
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