An engaging corporate memoir and love letter to the television industry.
Jankowski, the former president and chairman of the CBS Broadcast Group, recalls his life in the television industry in this memoir.
Born in 1934 during the Great Depression, the author remembers the first time he saw a television set. The thrill he had always enjoyed in movie theaters “was now available in people’s living rooms.” From that moment in the 1940s onward, Jankowski was hooked on TV. After graduating from Canisius College as an English major and serving a stint in the Navy, the author took a job with CBS Radio in New York City, where he moved up the corporate ranks until he was named president and chairman of the CBS Broadcast Group in 1977. Pulling back the curtain on his corporate experience, the author delves into the “glamor and glitz” of the television industry and his dealings with a myriad of special interest groups that ranged from advertising agencies on Madison Avenue to politicians in Washington, D.C. During his 12 years as CEO, he remained dedicated to protecting the “image and the quality” of CBS News, which included such bedrocks of American television journalism as CBS Sunday Morning and 48 Hours, while he renegotiated contracts with the National Football League and turned down a real estate proposal from Donald Trump to relocate their broadcast center. Readers are given an insider’s account that includes anecdotes of Jankowski’s interactions with CBS’s biggest stars, from Diane Sawyer, Martha Stewart, and Angela Lansbury to CJ the orangutan, a “surprise TV star” of the 1980s who made appearances on TJ Hooker and other CBS shows. What stands out most, though, is the author’s pure love of television and movies (he current serves as chairman emeritus of the board of directors of the American Film Institute), which still reflects his childhood awe. His Catholic faith, the humble origins of his parents, and even his grade schoolteachers are also discussed alongside the Hollywood celebrities in the book’s accessible, personal narrative. The text is supplemented by an ample assortment of photographs.
An engaging corporate memoir and love letter to the television industry.Pub Date: Sept. 18, 2025
ISBN: 9798998796630
Page Count: 228
Publisher: Self
Review Posted Online: Sept. 4, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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