Strong, tender, and revealing.
An actor’s life, as told in flashback.
Gene Wilder is familiar to the American public as the mad scientist in Young Frankenstein and the kooky Willy Wonka in Willy Wonka’s Chocolate Factory. Not so familiar is Jerry Silberman: that is, Gene Wilder himself in his pre-acting days. This “autobiography” is really more about Silberman than Wilder, who uses a rather unusual device to tell Jerry’s story: his visits to psychiatrist Margie Waller become a filter for his memories of life as Jerry Silberman. The young Jerry is an introspective boy with a gift for comedy who can make his mother laugh—she has a heart condition, and Jerry tries to relieve any stress that might aggravate it. His early reminiscences seem focused equally on acting and on encounters with the opposite sex, although there’s a bizarre little ramble about his compulsion to pray, which is humorous in a pathos-filled way. The acting memories make sense—Wilder entertainingly relates how his earl acting experiences formed a foundation for his successful acting career. Surprisingly enough, his tales of sexual liaisons with young women are not played for broad humor but are told in a rather matter-of-fact, straightforward style, with tiny nuggets of humor buried deep. These opening pages set the tone for the rest, where the focus remains on acting and relationships, all told in the same matter-of-fact style, with subtle snippets of humor sprinkled throughout. It’s not an autobiography in the usual sense of the word, but it does give the reader an understanding of Jerry Silberman’s deliberate transformation into Gene Wilder. Wilder is quite candid about his life, not flinching at all when it comes to sharing intimate details. Especially poignant is the section on his romance with Gilda Radner, the comic actress who became his wife and was to die of cancer (It’s Always Something, 1989). Wilder evidently wrote the book himself, and did well; it’s an honest, affecting look at his life.
Strong, tender, and revealing.Pub Date: March 1, 2005
ISBN: 0-312-33706-X
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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