Culled from the past decade's Pushcart Prize selections, a collection for those who like their tales of love light on sentimentality and with a twist. Some of the best work features strong voices from people of color. In ``Crazy Life'' by Lou Mathews, Chuey's girlfriend gets him off the hook for a murder rap, but Chuey abandons his partner to a prison term and the East LA community makes life miserable for him. Lorna Goodison's ``By Love Possessed,'' set in Jamaica, details the affair of Dottie and Frenchie, who is ``probably better looking than Ricardo Montalban'' but unemployed. Dottie looks like Olive Oyl but can support Frenchie. The tenuous trade of different currencies ends disastrously. Likewise, Joyce Carol Oates's ``The Hair'' tells of one rather ordinary couple's friendship with a pair of socialites. The first couple's efforts to hold on to their status-lending friends threaten to compromise their own marriage. Incest is a frequent theme or subplot in the collection. ``Lawns'' by Mona Simpson portrays an abusive situation and its damaging effects on the daughter in later life. ``Hush Hush'' by Steven Barthelme presents a more off-beat, yet compelling incestuous scenario. If there is a flaw in this collection, it's that it takes itself too seriously. The book could use more entries such as ``Tell Me Everything'' by Leonard Michaels—perhaps the most well- crafted and playful of the lot, featuring an epic novel embedded within the story. ``Yukon'' by Carol Emshwiller likewise provides a refreshing perspective. A north woods woman leaves her bearish, north woods man and shacks up with an actual bear in a cave. She's happier with the bear, for a while. Many of ``the rest of us'' will be pleased with this thoughtful collection of intelligent romances. However, it fails to include a number of topics: safe sex, cybersex, etc. Also, the focus is overwhelmingly heterosexual.
Pub Date: June 1, 1994
ISBN: 0-916366-90-1
Page Count: 400
Publisher: Pushcart
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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