Titillating, if a tad overheated. (15 black-and-white photos throughout)

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SEX COLLECTORS

THE SECRET WORLD OF CONSUMERS, CONNOISSEURS, CURATORS, CREATORS, DEALERS, BIBLIOGRAPHERS, AND ACCUMULATORS OF “EROTICA”

An engaging, provocative and sometimes creepy sexposé from prolific novelist Nicholson (The Hollywood Dodo, 2004, etc.).

While it was obvious that his girlfriend Dian, a former pictorial editor for a men’s magazine, stockpiled sexual accoutrements, it took Nicholson some time to admit to having a sex collection of his own. In revealing the psychological origins behind collecting, the author ushers in a procession of eccentric accumulators of unique ephemera. While at ease touring some of the country’s most distinctive sex museums, Nicholson seems poignantly affected by the strangely bittersweet worlds of a 69-year-old Jewish widow whose erotically charged condo was recently opened to public viewing, and of Dixie Evans, 70, the outspoken curator of the Exotic World Museum of Burlesque, hidden away in the California desert. Items and conduct that seem deviant at first become commonplace throughout this read. Communications with a man who has his own homemade glory hole, the website of a fearless female exhibitionist and meet-and-greets with a rather nonchalant Catherine Millet, author of The Sexual Life of Catherine M., filmmaker Richard Kern and the compulsive manager of Third Eye Blind all result in humdrum outcomes, begging the question of whether it’s not the collectors and connoisseurs who are obsessed, but the voyeur. The strength here lies in the sex-centrics’ direct associations with their fetishistic behaviors. Nicholson scrutinizes more than a few specific items in delicious detail: Chinese lotus shoes, finger guards, plaster penis castings, graphic automata and the Holy Grail of possessions: the human foreskin. Though the author’s regular considerations of the historical relevance of his topic grow tiresome, his comprehensive, well-rendered approach puts an authentic spin on what could be trivialized as mere sideshow oddity. Nicholson failed to score an interview with Paul Reubens, but he gets points for an enchanting dinner date with the late sex-kitten Linda “Deep Throat” Lovelace.

Titillating, if a tad overheated. (15 black-and-white photos throughout)

Pub Date: June 1, 2006

ISBN: 0-7432-6587-4

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2006

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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