An existential revenge story offering a confession that doesn’t beg forgiveness.
A former torture expert decides to walk the circumference of the Earth from the comfort of his own backyard.
In a drier outing than one might expect from an authority on social satire, Nicholson (The London Complaint, 2016, etc.) explores the complicated consequences of a life spent in the business of torment. Our protagonist is Joe Johnson, a trained psychotherapist who has spent years in the service of “the Team,” a covert government agency that hired him to teach its operatives to resist torture. He’s recently resigned and, in the wake of a divorce from his wife, Carole, is adrift. Buying a small house a few hours north of London, Joe commits to walking 25 miles a day for 1,000 days to complete a circumnavigation of the planet, except that he’s not leaving his backyard. “I may not have been conspicuously, demonstrably happy, but I definitely wasn’t unhappy,” Joe says. “I was content with my life, taking pleasure in small things, and in the much larger thing of walking around the world.” But Joe’s backyard gets to be an increasingly crowded place with visits from nosy neighbors, a philosophical mailman, some local riff raff who start a trivial war with Joe, and a curious child. He finds solace in the company of a personal assistant, Miranda, an aspiring bartender who plies Joe with her experimental cocktails. Unfortunately, Joe’s unusual hobby attracts the attention of the local press and a would-be filmmaker, thrusting him into public view. For a man who has trespassed against so many souls, the past is never far behind, and the consequences of Joe’s actions soon come calling. It’s a strange book, not quite a thriller and yet oddly contemplative about the human condition, capturing the perpetual unease of a world seemingly forever at war with itself.
An existential revenge story offering a confession that doesn’t beg forgiveness.Pub Date: Oct. 10, 2017
ISBN: 978-1-944700-36-2
Page Count: 218
Publisher: Unnamed Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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