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THE THIRD MAN

From the Brad Parker and Karen Richmond series , Vol. 7

A complex but readable Nazi-themed thriller.

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The star couple in Cooper’s series investigates a Nazi plot that may still be in motion today.

The first timeline of Cooper’s novel is set in Germany near the end of World War II. The SS recruits a German American scientist named Walter Muller, and they plan to infiltrate a research facility in Maine to use DNA to build a “superior” race and a Fourth Reich. Shortly after Muller’s arrival in Maine, he meets and marries another conspirator, Catherine Freeman. In the present day, after some Nazi artifacts turn up, college science professor Brad Parker works with his romantic partner, police Lt. Karen Richmond, to interview with a man named Mark Carlson, who may know something about the Nazis’ interest in genetic engineering. Carlson is a former SS officer who defected and became an FBI agent. He has reason to believe his lover came to the U.S. during the war as a spy to conduct experiments with DNA, hoping to create an Aryan race. Brad, deeply skeptical of the plot, notes, “That’s impossible. How could anyone in the forties imagine the advances that would eventually take place in molecular biology?” The novel then flashes back to the 1950s, when scientists discovered the double helix structure of DNA, which seems to help Catherine and Muller in their pursuit. The two parallel stories continue to develop: We see Catherine and Muller in the past studying DNA with the hopes of using it to build a new race, and Brad and Karen investigating that research. A large part of the book is told from the point of view of Nazis in the past, including their experiments, which gives the novel its ominous mood. This adds some needed tension because there doesn’t feel like there’s much of a threat in the present storyline: Everyone who played a part in the original plot is either elderly or dead. Still, Brad and Karen share a lot of witty banter, and watching them unravel the plot is compelling enough to keep the reader turning the pages.

A complex but readable Nazi-themed thriller.

Pub Date: June 17, 2024

ISBN: 9781633814028

Page Count: 268

Publisher: Maine Authors Publishing

Review Posted Online: March 17, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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