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LINCOLN’S WAR

THE UNTOLD STORY OF AMERICA’S GREATEST PRESIDENT AS COMMANDER IN CHIEF

The subtitle notwithstanding, there’s hardly an untold story to be found here, but a worthy distillation all the same.

A military historian considers Lincoln as military leader—a far from nominal position.

A veteran of battle, Lincoln had disparaged James Polk’s touching off the Mexican War: “So far as Lincoln was concerned,” Perret (Jack: A Life Like No Other, 2001, etc.) writes, “Polk had gone to war with Mexico to revive the political fortunes of the Democratic Party, and not for any higher aim.” Similar charges would be leveled at Lincoln, with Republican Party founder William H. Seward urging him to “change the question before the Public from one of Slavery, or about Slavery to a question upon Union or Disunion.” But Lincoln took his abolitionist fight seriously—and, as many modern historians have observed, as the primary purpose for waging war on the South. Lincoln—who claimed that his greatest success in life was commanding a militia detachment in the Black Hawk War—was closely involved in the daily conduct of the war, Perret shows. Lincoln saw to it that generals were appointed by federal authority, not that of the states. He planned operations and logistics, and he wasn’t being hyperbolic when he famously remarked of a recalcitrant combat leader, “If General McClellan does not want to use the Army, I would like to borrow it.” He promoted leaders, and he broke them, as when he removed the military commander of occupied New Orleans for looting. He imposed strategy on his greatest commanders, including Ulysses S. Grant. And he even showed up for combat on a couple of occasions, though one Union officer sensibly warned him, “There is nothing in the Constitution authorizing the Commander in Chief to expose himself to the enemy’s fire where he can do no good!” Perret does an admirable job of weaving these episodes into a readable narrative.

The subtitle notwithstanding, there’s hardly an untold story to be found here, but a worthy distillation all the same.

Pub Date: April 27, 2004

ISBN: 0-375-50738-8

Page Count: 512

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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