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FALL

Disturbing and consistent in tone, yet too often weighed down by opaqueness.

In Young’s debut novel, a fugitive writer works feverishly to document his life before his past catches up to him.

For three days Paul sits on his fire escape overlooking the busy streets of New York City, jotting down an account of his life from his humble beginnings to what he sees as his coming end. The overly self-aware Paul has several reasons to be here: He’s found little success as a poet, the woman he loves has left him, and his aimless wanderings have led him to cause, or at least feel responsibility for, the death of a fellow citizen. While these things weigh heavily on Paul, the catalyst for his manic scribbling is merely that he’s been recognized; he’s not Paul, but rather a fugitive man of many names. He writes now of his first identity as Sam, a fatherless Holden Caulfield in the Connecticut suburbs whose annoyance with anything he finds empty  or hypocritical takes a violent turn. Young’s debut crosses mediums, utilizing poetry, playwriting and a loose, stream-of-consciousness style that compliments the prose, conveying the urgency and fatigue Paul experiences. This blend can also be distracting, breaking the heavy tension the author establishes with his protagonist’s unique, darkly comic observations of the mundane and the mortifying. The novel can make readers uncomfortable, and doesn’t shy away from the obscene while humoring its unreliable narrator—even when he’s presented as self-centered and detached. Nearly every relationship in Paul’s life has some sexual undertone—from his best friend to figures in the church to his own mother—further magnifying the unnerving atmosphere. The narrator’s verbose style works both for and against the novel: It captures a personality enchanted with words but unable to truly connect with language, a wannabe-wordsmith “trying too hard.” However, as important as this consistency is, its continued use becomes tedious as some of the book’s more impressive flourishes are lost in the shuffle.

Disturbing and consistent in tone, yet too often weighed down by opaqueness.

Pub Date: Dec. 20, 2010

ISBN: 978-0615430232

Page Count: 398

Publisher: Top Shelf Books

Review Posted Online: June 4, 2012

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JUPITER STORM

In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.

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A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.

Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.

In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.

Pub Date: Nov. 11, 2017

ISBN: 978-1-943169-32-0

Page Count: 212

Publisher: Plum Street Press

Review Posted Online: Feb. 22, 2018

Kirkus Reviews Issue: April 15, 2018

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BROTHERS IN ARMS

BLUFORD HIGH SERIES #9

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.

In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

Pub Date: Jan. 1, 2004

ISBN: 978-1591940173

Page Count: 152

Publisher: Townsend Press

Review Posted Online: Jan. 26, 2013

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