Disturbing and consistent in tone, yet too often weighed down by opaqueness.


In Young’s debut novel, a fugitive writer works feverishly to document his life before his past catches up to him.

For three days Paul sits on his fire escape overlooking the busy streets of New York City, jotting down an account of his life from his humble beginnings to what he sees as his coming end. The overly self-aware Paul has several reasons to be here: He’s found little success as a poet, the woman he loves has left him, and his aimless wanderings have led him to cause, or at least feel responsibility for, the death of a fellow citizen. While these things weigh heavily on Paul, the catalyst for his manic scribbling is merely that he’s been recognized; he’s not Paul, but rather a fugitive man of many names. He writes now of his first identity as Sam, a fatherless Holden Caulfield in the Connecticut suburbs whose annoyance with anything he finds empty  or hypocritical takes a violent turn. Young’s debut crosses mediums, utilizing poetry, playwriting and a loose, stream-of-consciousness style that compliments the prose, conveying the urgency and fatigue Paul experiences. This blend can also be distracting, breaking the heavy tension the author establishes with his protagonist’s unique, darkly comic observations of the mundane and the mortifying. The novel can make readers uncomfortable, and doesn’t shy away from the obscene while humoring its unreliable narrator—even when he’s presented as self-centered and detached. Nearly every relationship in Paul’s life has some sexual undertone—from his best friend to figures in the church to his own mother—further magnifying the unnerving atmosphere. The narrator’s verbose style works both for and against the novel: It captures a personality enchanted with words but unable to truly connect with language, a wannabe-wordsmith “trying too hard.” However, as important as this consistency is, its continued use becomes tedious as some of the book’s more impressive flourishes are lost in the shuffle.

Disturbing and consistent in tone, yet too often weighed down by opaqueness.

Pub Date: Dec. 20, 2010

ISBN: 978-0615430232

Page Count: 398

Publisher: Top Shelf Books

Review Posted Online: June 4, 2012

Did you like this book?

No Comments Yet

A YA novel that treats its subject and its readers with respect while delivering an engaging story.



In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.

In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

Pub Date: Jan. 1, 2004

ISBN: 978-1591940173

Page Count: 152

Publisher: Townsend Press

Review Posted Online: Jan. 26, 2013

Did you like this book?

A short, simple, and sweet tale about two friends and a horse.

Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A


Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

Did you like this book?