Photojournalist Ancona (Harvest, not reviewed, etc.) takes his camera to the streets in this exploration of outdoor community murals in cities across the US. A look at the cave paintings of Lascaux, early church frescoes, and murals painted in Mexico City after the 1910 revolution place his subject in historical perspective. He kicks off with a pair of colorful photographs: “A tiny street in the San Francisco Mission District called Balmy Ally has become famous for the murals that cover its doors, fences, and walls.” “A mural painted on two garage doors shows the people resisting oppression by a military government in Central America.” A Philadelphia mural called “Common Threads” compares the hairstyles of high-school students and 18th-century women. As Ancona explains, the students assisted the artist by posing as models. A smaller photo shows the full face of the 7,500-square-foot mural, cars dwarfed in the foreground, while a detail of an African-American girl with cascading braids dominates the spread. A series of photographs depicts a mural created for a Boston housing project. Writes Ancona, “The artist organized more than three hundred children and residents to make clay tiles that were stamped, fired, and then assembled to create the mural.” Murals in Albuquerque, Chicago, and the South Bronx are also shown. A unique chronicle of our country’s diversity and an engaging look at the connection between the arts and activism: Ancona’s latest is first rate. (Nonfiction. 8-12)
Pub Date: April 1, 2003
ISBN: 0-7614-5131-5
Page Count: 48
Publisher: Marshall Cavendish
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2003
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating...
Nicholas is a bright boy who likes to make trouble at school, creatively.
When he decides to torment his fifth-grade English teacher, Mrs. Granger (who is just as smart as he is), by getting everyone in the class to replace the word "pen'' with "frindle,'' he unleashes a series of events that rapidly spins out of control. If there's any justice in the world, Clements (Temple Cat, 1995, etc.) may have something of a classic on his hands. By turns amusing and adroit, this first novel is also utterly satisfying. The chess-like sparring between the gifted Nicholas and his crafty teacher is enthralling, while Mrs. Granger is that rarest of the breed: a teacher the children fear and complain about for the school year, and love and respect forever after.
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating tale—one to press upon children, and one they'll be passing among themselves. (Fiction. 8-12)Pub Date: Sept. 1, 1996
ISBN: 0-689-80669-8
Page Count: 105
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
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