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THE KINGDOMS OF SAVANNAH

Green’s novels may not come around often, but when they do, they hit hard and stay with you long after the end.

In the wake of a tragic death and a kidnapping, a dysfunctional family at the center of Georgia high society discovers painful truths in the shadows just beyond Savannah’s historic gas lamps and gazebos.

When ruthless land developer Archibald Guzman is arrested for the arson death of a local drunk, he attempts to buy the support of the Musgrove family, a crumbling yet still influential cornerstone of the Savannah elite. Morgana, the headstrong matriarch and, now that her husband is dead, proprietor of the investigation agency that is one of the family's businesses, accepts the controversial case in return for the promise of a windfall she hopes will slow their eroding finances. She knows the accompanying scandal will further strain her already embattled family, and soon they are all working at cross purposes. Ransom, her rebellious vagabond-by-choice son, sees Guzman as an enemy of the homeless, and Jaq, her aspiring filmmaker granddaughter, wants social justice for her immolated friend. The rest of the family is pulled along reluctantly, steeling themselves for the impending social fallout. Anonymous threats evolve into acts of actual violence as the amateur sleuths get closer to uncovering ugly truths about Savannah’s racially charged present and past, some far too close to home. The family must decide whether to band together against their desperate adversaries or agree to dangerous compromises that could tear them apart. In his first novel in more than a decade, Edgar Award winner Green delivers a gripping and expertly researched Southern literary thriller that is anything but cozy. Most powerful is the novel’s exploration of contemporary social issues like homelessness, privilege, and familial legacies built from slavery. Through masterful storytelling, Green turns the quaint and eclectic tourist town of Savannah into a character as conflicted and complex as the rest of the novel’s ensemble.

Green’s novels may not come around often, but when they do, they hit hard and stay with you long after the end.

Pub Date: July 19, 2022

ISBN: 978-1-250-76744-8

Page Count: 272

Publisher: Celadon Books

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

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DON'T LET HIM IN

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

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Following her father’s sudden death, Aisling Swann is secretly horrified when her mother begins to date again—and she quickly becomes suspicious of this new flame.

Four years ago: A mysterious male narrator reflects upon his relationship with his wife—along with a few pointed comments about how she is aging. It quickly becomes apparent that this self-proclaimed “very pleasant” man is not who he seems; he already has a girlfriend on the side, and he’s playing both women with sob stories about his job and his traumatic past while taking money from them. Even as they get more and more frustrated with his lack of communication during ever-lengthening absences, he still gives them what they want: “a top-notch husband.” In the present day, Ash Swann; her brother, Arlo; and their mother, Nina, mourn the loss of her charismatic father, Paddy, a successful chef with a chain of lucrative restaurants. Nina receives a sympathy note from a man who claims to have worked closely with Paddy in the industry, which leads to a robust online flirtation that moves into the real world about a year after her husband’s death. Ash is living at home, mired in grief as well as her own mental health struggles, and she’s none too happy to see her mom dating—but particularly this handsome, egregiously suave Nick Radcliffe. Ash begins to notice some inconsistencies with his stories and his past, so she enlists Paddy’s ex-girlfriend Jane to help her investigate. Meanwhile, Ash’s story continues to intercut that of the mysterious man who is now married to his former girlfriend—and still up to his old tricks. Jewell’s cutting between past and present certainly allows revelations to ooze out at a slow, controlled pace; even as the reader makes obvious connections, the full picture remains obscure. Jewell has written some incredibly engaging and strong female characters, Nina, Ash, and Jane foremost among them. What would it have been like to split the narrative between them instead of giving so much voice—and thus narrative power—to the male antagonist?

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

Pub Date: June 24, 2025

ISBN: 9781668033876

Page Count: 384

Publisher: Atria

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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