by George Hamilton and William Stadiem ‧ RELEASE DATE: Oct. 14, 2008
Flashy and funny, with flamboyance to burn, just like Hamilton.
Colorful, charismatic star of stage and screen recounts 50 years of the Hollywood life, with the assistance of veteran co-author Stadiem (Too Rich: The High Life and Tragic Death of King Farouk, 1991, etc.).
After Hamilton dishes out some spicy insider information from his stint on Dancing with the Stars in 2005 (steroid use, allowing his partner to blatantly mask his lack of dancing acumen), the actor dives right into his turbulent, nomadic childhood. After his parents divorced, Hamilton’s Christian Scientist mother swiftly moved the family to Hollywood, where many years earlier she had unsuccessfully attempted a film career. The random relocations continued as she discovered better ways to live—and better men to live with. In 1950, when Hamilton was not yet 12, he was shipped off to live with his father, a bandleader in New York City. His urban “adult education” prospered by way of illicit sex with his stepmother, time spent at military school in Mississippi and a short-lived stay in Boston with his newly remarried mother. Following her from there to Washington, D.C., Acapulco and Palm Beach, he realized at an early age that he could garner attention with “the smile I had learned to use to cover all my fears.” His love of the stage took hold at Palm Beach High School, and once he was back in Los Angeles Hamilton’s career mushroomed from smaller roles into a prestigious contract with MGM. From this moment on, he drops Old Hollywood names with wild abandon. Some of the narrative reads like tabloid fodder, with Hamilton right in the middle of all the Tinseltown commotion. (The 69-year-old actor has two sons nearly 30 years apart in age.) His bountiful life has had its share of blunders, the dapper “silver fox” admits, but he is still able to “laugh at myself.”
Flashy and funny, with flamboyance to burn, just like Hamilton.Pub Date: Oct. 14, 2008
ISBN: 978-1-4165-4502-6
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Neil King Jr. ; illustrated by George Hamilton
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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