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MR. S

MY LIFE WITH FRANK SINATRA

Deliciously gossipy, yet Sinatra is recalled with affection rather than spite.

As-told-to memoir of life with the famous crooner by his African-American Man Friday, lubricated with racy tales about the stars, the Kennedys, and the Mob.

Aided by veteran coauthor Stadiem (Too Rich, 1991, etc.), New Orleans native Jacobs begins his story at the end of his association with Sinatra. The summer of 1968 was not a good year for Mr. S. The music world was changing, many of his Mob pals were either in jail or exile, and his marriage to Mia Farrow was in trouble—which might explain why he summarily fired Jacobs for the sin of dancing with Farrow (at her request) in a popular Beverly Hills nightspot. In subsequent chapters, the author details his Hollywood rise, which began in 1950 when he came to California dreaming of a career in show biz after serving in the navy. Jacobs first worked for noted agent Irving Lazar, who introduced him to stars like Humphrey Bogart, Lauren Bacall, and Sinatra, whose career seemed stalled until he landed an Oscar-winning role in From Here to Eternity in 1952. One year later, Jacobs was hired away by Sinatra, who not only coveted his skills as a factotum but wanted to annoy Lazar, who had treated the singer like a has-been. Jacobs describes how he became close to Sinatra, a generous if volatile employer, met his family and friends, listened to his worries about his career. Though Mr. S. had numerous affairs—with hookers and starlets as well as Bacall and Monroe—he was still obsessed with Ava Gardner, the author recalls, as he liberally names names and regales scandals. Sinatra was insecure about his background, Jacobs reveals, and his awe of the Kennedys turned to hate when he was betrayed by Bobby and Jackie, who disapproved of his association with JFK. By contrast, he remained loyal to mobsters like Sam Giancana.

Deliciously gossipy, yet Sinatra is recalled with affection rather than spite.

Pub Date: June 3, 2003

ISBN: 0-06-051516-3

Page Count: 272

Publisher: HarperEntertainment

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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