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TRUMAN CAPOTE

IN WHICH VARIOUS FRIENDS, ENEMIES, ACQUAINTANCES AND DETRACTORS RECALL HIS TURBULENT CAREER

Less a literary convocation than an A-list gab-fest, this volume is filled over the brim with three things Capote cared deeply about: gossip, name-dropping, and himself. An oral biography (on the lines of Plimpton's Edie) may seem superfluous for someone as relentlessly self-publicizing as Capote. Over the course of this conversational parade of witnesses to his sensational career, however, the familiar figures of the elfin young author of Other Voices, Other Rooms and the aged, substance-abusing author of the socialite-scourging Answered Prayers are shattered, or at least chipped away at, by the sheer variety of impressions, anecdotes, and reminisences about an inarguably remarkable, mercurial individual. Despite the recycled high points—arm-wrestling Bogie during Beat the Devil, going head-to-head with Norman Mailer on television, etc.—a multifarious, almost Proustian characterization emerges. Naturally there are the characteristic detractions of Gore Vidal and Mailer (``A ballsy little guy. But . . . those balls got swollen''), the slightly apologetic approbations of Carol Marcus and Joanne Carson, and innumerable opinions in between, from the likes of John Knowles, William F. Buckley, Kurt Vonnegut, the detectives from In Cold Blood, his betrayed jet set, and Plimpton himself. Plimpton has adroitly edited this mass of eyewitness accounts, conflicting testimony, and hearsay into a fairly complete narrative with a seductive aura. Only occasionally does he gloss over extended unpleasantness, such as the depths of Capote's destructive affair with John O'Shea, a married suburban banker; but he also gives space to smaller voices, including the strangely fond account by O'Shea's daughter Kerry (rechristened Kate Harrington by Capote for her teenage modeling career) of the avuncular Pygmalion figure in her life. Capote's flamboyant, fascinating life as related by other voices, other views. (60 b&w photos, not seen)

Pub Date: Dec. 8, 1997

ISBN: 0-385-23249-7

Page Count: 512

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1997

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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