Fascinating, detailed and absorbing.
In Cave’s debut novel, a shady Iranian businessman seeks to use the 1970s Iran Hostage Crisis for his own financial benefit.
While no one would accuse London-based businessman Qays Tutunchi of being overly scrupulous, no one could deny his skill at turning a profit, for himself as well as for his partners. And while Tutunchi is far from pious, he’s adept at negotiating the turbulent political waters of Ayatollah Khomeini’s post-revolutionary Iran. So when Fred Walter, an associate with ties to the Republican Party in America, casually mentions that the Republicans are keenly interested in resolving the ongoing hostage crisis before it becomes an issue in the upcoming presidential election of 1980, Tutunchi starts thinking of ways to profit from the situation. Unfortunately for Tutunchi, his mistress, Emily, is talking to MI5, who suspects Tutunchi of being involved in international drug dealing. Meanwhile, in America, Fred Walter and Bill Casey, Reagan’s campaign manager, hire former CIA Middle East expert Sean O’Hara to keep an eye on things from their end. And with war brewing between Iran and Iraq and the election approaching, the situation may get much more complicated for everyone involved. The author, himself a former CIA operations officer with extensive experience in Iran, brings an extraordinarily detailed knowledge of the situation in Iran, as well as of Iranian politics and culture. His crisp prose grabs attention, in part through the deft use of several viewpoints. There are some pacing issues; in large passages, the action revolves around the primary characters talking over martinis. And many will guess how the crisis ends. Still, good writing, great characters, and the author’s unique insight into Iranian politics, culture and the hostage crisis itself more than make up for any slow spots.
Fascinating, detailed and absorbing.Pub Date: Dec. 24, 2013
ISBN: 978-1-4827-8213-4
Page Count: 414
Publisher: CreateSpace
Review Posted Online: March 13, 2014
Kirkus Reviews Issue: April 15, 2014
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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