A compelling, thoughtful take on a very real women’s health issue; both confidently sexy and lighthearted at the same time.
When a 25-year-old go-getter is unexpectedly hit with major news about her health, she’s forced to look at herself from a new perspective and ask what she (and her body) really wants.
Lacey Whitman is a planner. Her job as a fashion trend forecaster requires her to live 10 steps ahead of now. So it’s very much like Lacey to schedule a genetic screening to rule out certain health concerns. When that screening reveals she has the BRCA1 gene mutation, the “breast cancer gene,” her carefully forecast future comes to a grinding halt. Lacey’s mother died from breast cancer at age 31, so somewhere deep down, she knew this outcome was possible. It’s a sobering thought: No one likes to think it could be them. Lacey’s priorities shift from working on her startup project, Clean Clothes, "outfits that are on trend and ethically sound," to researching the pros and cons of a mastectomy—the Big M. This research opens doors to a community of women with the same gene mutation and whose outpouring of body positivity encourages Lacey to take charge of her situation. Enter the Boob Bucket List. Before she can confidently make the choice for preventative surgery, Lacey gives herself six months to enjoy her breasts to the fullest. While the contents of the bucket list are not the most imaginative, the list represents something greater than itself: a woman’s right to choose what’s best for her body. A focus on female sexuality and self-empowerment is not new for Clark (The Regulars, 2016, etc.), but this time it comes with a welcome dose of real-life gravitas. It’s easy to overlook the fact that Lacey only checks off some of her must-dos thanks to a few inelegantly inserted plot devices because, in the end, it’s really not about the list. Instead, we're left with the power of female support systems, the importance of self-care, and the sobering realness of Lacey’s prognosis. The fashion scene and a cute, well-mannered hipster supporting character are added bonuses.
A compelling, thoughtful take on a very real women’s health issue; both confidently sexy and lighthearted at the same time.Pub Date: Aug. 7, 2018
ISBN: 978-1-5011-7302-8
Page Count: 352
Publisher: Emily Bestler/Atria
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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